Word: wais
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Dates: during 2000-2009
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Hong Kong director Wong Kar-wai's frank and ground-breaking Happy Together was among the first to transcend the sexually conventional in 1997. He undressed every girl's bedroom pin-ups, Leslie Cheung and Tony Leung Chiu-wai, and started the first few minutes of his movie with a scene showing exactly what men do to each other in bed. At one stroke, amid much audience perturbation, he unmoored the taboos and let them float flamboyantly close to the mainstream. Asian audiences were intoxicated and its filmmakers' impulses raged against society's machinery, creating a new cinematic landscape...
Whispers in doorways. Long, longing looks. Desire at war with propriety. This enthralling, enigmatic, romantic drama from Asia's most influential auteur (Chungking Express) is an essay in appetite and inhibition. In 1962 Hong Kong, two neighbors (Maggie Cheung and Tony Leung Chiu-wai) learn that their spouses are having an affair with each other. Slowly they are drawn into their own web of resentment, guilt and lust. Do the cuckolds have their own affair? That is for the viewer to judge. What's beyond dispute is the artful evocation of a world of glamour and deceit, humidity and heartbreak...
...forever?" This being a film noir, Shanghai-style, she has to drown in the dirty Suzhou River, then re-emerge as someone else. She could be Kim Novak in Vertigo, hijacked into a James M. Cain plot and photographed in the grainy, high-contrast glamour of a Wong Kar-wai romance. Lou Ye lays out a ravishing wasteland of femmes fatales and lovelorn tough guys--all in 79 minutes. So it's in Mandarin? After Crouching Tiger that's no longer an excuse for missing a terrific movie. Whatever city this one is showing in...move there...
...This is also the first time Zhang has worked with Hong Kong actors, let alone two of its biggest stars. Leung and Cheung, more accustomed to the spontaneous riffing of Wong Kar-wai, are struggling to get the gist of Zhang's directorial technique. "He does keep us guessing," Cheung says, with a hint of exasperation, "but then we only do one or two takes for every scene. He doesn't do lots of options." Contrast this with Wong, who might shoot one scene 30 or 40 times, 15 of which are experiments that help shape the final...
...second-place Grand Prix for "Devils on the Doorstep," set in a Japanese-occupied village at the end of World War II. Taiwan's Edward Yang was named Best Director for his stately domestic drama, "A One and a Two." The Best Actor prize went to Tong Leung Chiu-wai, as a cuckolded husband considering an affair with lustrous Maggie Cheung in Wong Kar-wai's Hong Kong period romance "In the Mood for Love...