Word: wais
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...wheel? Tse's former chauffeur Shing Kwok-ting, according to the original police report. Further investigation indicated otherwise: Tse had actually crashed the car, called Shing at home and at Shing's suggestion, Tse left the scene, allowing the chauffeur to ask the arresting officer, Lau Chi-wai, if he could "stand in" for Tse as the culprit. Shing and the officer then went to the Central Police station, where Lau asked him to fill out forms indicating that he was thedriver. According to press reports, Tse was driven from the scene by Cheung, his romantic link of the moment...
...just another struggling local mini-industry. Part of the problem is the brain drain to the U.S. of directors like Woo and top stars Chow Yun-fat and Jet Li. Even the great cinematographer Christopher Doyle, the Australian Emigr? whose bold, painterly eye set the palette for Wong Kar-wai's moody dramas, has gone traveling again...
From the hyperactive Kung Fu of Bruce Lee to the lush atmosphere of Wong Kar-Wai to the sideburns of Nicholas Tse, Hong Kong has given more than its share to world cinema. Now the territory's beleaguered film industry is asking for a little something back. Last Wednesday the Federation of Hong Kong Film Workers asked the government to underwrite loans for local movie productions and to lobby Beijing for greater access to mainland China. Without government financial backing, film veterans say, Hong Kong cinema might be on its last take. The numbers aren't encouraging: local box receipts...
Other Harvard professors who will be moving their offices to the fellowship offices on Concord Avenue include Dean of Undergraduate Education Susan G. Pedersen ’81-’82, Assistant Professor of English and American Literature Lynn Festa, Professor of Chinese Literature Wai-yee Li, Assistant Professor of the History of Art and Architecture Gwendolyn DuBois Shaw, Assistant Professor of Music Richard Wolf and Fiona Doetsch, a junior fellow in the Society of Fellows...
...Doyle went on to collaborate with the giants of Asian cinema, Chen Kaige (Temptress Moon) and more recently Zhang Yimou (Hero), but it is with Hong Kong director Wong Kar-wai that Doyle made his mark?and look: hand-held, jump-cut and radically chic. That began with Days of Being Wild (1991) and, six films later, found sublime perfection with In the Mood for Love (2000). Here, what began life as a comedy evolved, over 15 months of improvization and reshooting, into a masterpiece of slowly condensing passion. "A Wong Kar-wai film is kind of like cooking school...