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...Chungking Express Wong Kar-wai's 1994 distillation of Hong Kong grunge and glamour weaves four top Asian stars (Brigitte Lin, Tony Leung Chiu-wai, Faye Wong, Takeshi Kaneshiro) into a crazy-tender two-part romance. How can nosebleed-high art also provide fizzy delight? Here...

Author: /time Magazine | Title: Short List | 11/26/2008 | See Source »

...their news from clandestine radio broadcasts, were shocked by a BBC Burmese service report that claimed a daughter of junta leader Than Shwe had spent more than $80,000 on a gold shopping spree in the city of Mandalay. Than Shwe himself brooks no dissent. The offense of Saw Wai, the poet who was sentenced to two years in prison? Writing a love poem published in a weekly magazine in which the first words of each line spelled out a brazen message: "Power Crazed Senior General Than Shwe...

Author: /time Magazine | Title: Burma Crackdown Reflects Junta's Insecurity | 11/13/2008 | See Source »

...might use words like prolific, thinking of the seemingly endless kung-fu films that the city's studios have churned out. Or, if they knew their art-house fare, they could call it sophisticated, with a nod to the international acclaim that such exquisitely shot films as Wong Kar-wai's In the Mood for Love (2000) have won in recent years. But, in fact, what was once one of the world's busiest film industries has been in financial and creative decline for some time. With just 50 homegrown movies hitting the city's cinemas, last year's output...

Author: /time Magazine | Title: The China Syndrome | 7/31/2008 | See Source »

...While some filmmakers are lucky enough to secure funding from elsewhere - Yu Lik-wai's Venice competition entry Plastic City has partners in Hong Kong, Brazil, Japan, France and China - the choice facing most directors is stark. "You either do very low-budget films for the local market, or some side markets like Southeast Asia, or you do really huge, huge-budget films as a co-production with China," says Lau. Medium-sized productions are few, meaning that up-and-coming directors are finding it hard to make the transition to mainstream features. Occasionally, established filmmakers will nurture prot...

Author: /time Magazine | Title: The China Syndrome | 7/31/2008 | See Source »

National cinemas have different Golden Ages. For Hong Kong, it was the decade from the mid-'80s to the mid-'90s, when directors like Tsui Hark and John Woo were revitalizing the crime film, and when young Wong Kar-wai was revolutionizing the misty romance. At the time, Hong Kong also had perhaps the world's greatest roster of glamorous stars, and prominent among them were Leslie Cheung, Maggie Cheung, Brigitte Lin, the two Tony Leungs, Jacky Cheung, Carina Lau and Charlie Young. All of them are in Wong's 1994 martial-arts reverie Ashes of Time, which...

Author: /time Magazine | Title: Film Country for Old Men | 5/19/2008 | See Source »

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