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...retired sumo wrestler WAKANOHANA's hankering to play in the NFL could be a harbinger of impending Japanese prosperity. The former grand champion has said he's been more attracted to the gridiron than the dojo since boyhood. It would definitely be a career boost; since retiring last year, Waka has shilled for pain poultices and failed at sports announcing. Plus, it would answer an age-old question: What is it within those visually impressive sumo wrestlers struggling mightily to get out? We thought it was gravy...

Author: /time Magazine | Title: Starting Time | 6/4/2001 | See Source »

This was not solitary art. It rose from collaboration among Koetsu, the painter Sotatsu, a suitably skilled papermaker, and--not least--the dead hand of the poet whose waka, or classic verses, Koetsu was transcribing. Some of the most beautiful things in this show are the shikisi, or poem cards, in which the visual form of Koetsu's writing chimes wonderfully with the loops and eddies of Sotatsu's water, the spikes of his plant stems and the slow blur of his distant mountains. And Koetsu's calligraphies on sheets of paper pasted together, paper made in the subtlest imaginable...

Author: /time Magazine | Title: Art: The Subtle Magic of Koetsu | 10/23/2000 | See Source »

This was not solitary art. It rose from collaboration among Koetsu, the painter Sotatsu, a suitably skilled papermaker, and - not least - the dead hand of the poet whose waka, or classic verses, Koetsu was transcribing. Some of the most beautiful things in this show are the shikisi, or poem cards, in which the visual form of Koetsu's writing chimes wonderfully with the loops and eddies of Sotatsu's water, the spikes of his plant stems and the slow blur of his distant mountains. And Koetsu's calligraphies on sheets of paper pasted together, paper made in the subtlest imaginable...

Author: /time Magazine | Title: The Subtle Magic of Koetsu | 10/11/2000 | See Source »

Speed is the principle pleasure of The Compleat Works of Wllm. Shkspre. (Abridged), showing through August 8th at the Hasty Pudding Theatre. From the beginning, the play's trio of actors (Erik Amblad, Will Burke and Adam"Waka" Green) plainly state their mission--to present all of Shakespeare's plays--and take off like horses from a starting gate. They begin with a comparably lengthy rendition of Romeo and Juliet, continue with truncated versions of the Tragedies, and, with time running short, condense the Comedies into a skit in double time, and further distill the Histories into a few symbolic...

Author: By Jaime L. Jones, CRIMSON STAFF WRITER | Title: Three Men and a Bard, Well-Cut | 8/13/1999 | See Source »

...three characters that emerge between play-episodes are just as humorous, if also as two-dimensional, as cartoon characters. The players call each other by their real names--Erik, Will, and Waka ("real" is relative on and off the stage)--and portray Shakespearean actors in the same way that Bugs Bunny portrays a rabbit: They play caricatures, not characters. The "actors" are shy, ironic, angst-ridden, occasionally obnoxious and grossly human. Their closest Shakespearean analogues are the Rude Mechanicals in A Midsummer Night's Dream...

Author: By Jaime L. Jones, CRIMSON STAFF WRITER | Title: Three Men and a Bard, Well-Cut | 8/13/1999 | See Source »

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