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Word: waked (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...BIRTHDAY PARTY, by Harold Pinter. A man whose birthday it is not finds himself the guest of honor at its celebration and behaves as if he were a corpse at his own wake. Which well might be the case. The early Pinter puzzler is brought to the Broadway stage with American actors who often pay more attention to their accents than to their performances...

Author: /time Magazine | Title: Television: Dec. 15, 1967 | 12/15/1967 | See Source »

...together also means good, cool. 2) from "Three Blind Mice." 3) see note nine. 4) Alice (in Wonderland) shrinking and shrunk. 5) from the asylum? 6) walrus's face is long. 7) The eggman is H. C. Earwicker in James Joyce's Finnegan's Wake. He is the cosmic father of man and is symbolic of the oosphere. The oosphere contained the universe at the beginning before it was broken. His initials stand for "Here Comes Everybody". The eggman is everybody. 8) Everybody is an eggman because we're all progenitors...

Author: By John G. Short, | Title: Goo Goo Goo Joob | 12/14/1967 | See Source »

...BIRTHDAY PARTY, by Harold Pinter. A man whose birthday it is not finds himseIf the guest of honor at its celebration and behaves as if he were a corpse at his own wake. Which well might be the case. The early Pinter puzzler is brought to the Broadway stage with an American cast

Author: /time Magazine | Title: Television: Dec. 8, 1967 | 12/8/1967 | See Source »

...extension of politics. Czech Director Jiff Menzel leaped from tears to laughter in quick sequence to create the moody turmoil of Closely Watched Trains. The "undoable" film can now be done, as shown by the creditable and convincing movie versions of Joyce's Ulysses and Finnegans Wake. Even Proust is possible-if anyone wants...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

Open Checkbooks. In the wake of Bonnie and Clyde, there is an almost euphoric sense in Hollywood that more such movies can and will be made. The reason is that since mid-1966, the studios have opened doors and checkbooks to innovation-minded producers and directors with a largess unseen since Biograph moved from Manhattan to Los Angeles...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

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