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Word: walke (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Still there is a remarkable absence of social distinction due to dress, speech, and habit. When you walk into a plant you can't tell who the manager is' he's dressed in construction boots and work clothes just like everybody else...

Author: NO WRITER ATTRIBUTED | Title: Sam Bowles Takes a Look at Cuba | 7/29/1969 | See Source »

...cover story on the historic mission itself. And this time the work stretched on for eight uninterrupted days. Although TIME ordinarily closes on Saturday evening, we felt compelled to hold the magazine open until Monday, in order to report the climax of man's first attempt to walk on the moon...

Author: /time Magazine | Title: A Letter From The Publisher: Jul. 25, 1969 | 7/25/1969 | See Source »

That was about as close as Collins, the affable, relaxed Air Force lieutenant colonel, would get. Before the trip, he complained good-humoredly that because he would be piloting Columbia during the moon walk, he would be "about the only person in the world who won't get to see the thing on television." He asked Houston to save a videotape for him. At least, said Collins, "I'm going...

Author: /time Magazine | Title: The Moon: A GIANT LEAP FOR MANKIND | 7/25/1969 | See Source »

...view of the pressing problems back on earth. It was, too, a moment that symbolized man's wondrous capacity for questing, then conquering, then questing yet again for something just beyond his reach. But the black vastness that served as a backdrop for the two astronauts' walk on the moon also was a reminder of something else. Stargazer, now star-reacher, man inhabits a smallish planet of an ordinary sun in a garden-variety galaxy that occupies the tiniest corner of a universe whose scope is beyond comprehension...

Author: /time Magazine | Title: The Moon: A GIANT LEAP FOR MANKIND | 7/25/1969 | See Source »

Also on the program is a short feature by the young German Jean-Marie Straub. He has obviously read enough Bazin to know that objects and settings are crucial to films. His application of this, however, is to give the audience a shot of a setting, have the actors walk in and perhaps rearrange some objects, and finally leave the audience to contemplate the setting some more. Straub apparently does not like to cut within a scene, the result being a tremendous number of disconnected short sequences which leave one with no sense of what one character is trying...

Author: NO WRITER ATTRIBUTED | Title: Les Enfants De Bazin | 7/22/1969 | See Source »

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