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Word: walkerism (lookup in dictionary) (lookup stats)
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...Composer [Paul Rivera] will perform with us on stilts, singing and playing guitar, along with a chamber ensemble of Harvard student musicians. Harvard alum[na] and aerial silk artist Marin Orlosky will be suspended eight feet in the air as dancers, a stilt-walker, and musicians perform on the stage below her,” Walker elaborates...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...It’s definitely a challenge when you bring in professional choreographers like Josie Walsh who are used to working with dancers who rehearse eight hours a day for a living,” Walker says regarding the difficulty of rising to HBC’s professional dance standards while balancing a full course load and other commitments...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...Since the choreographers are used to such a high level of talent, we really feel like we have to be on top of our game,” Walker continues, pointing out that the short residency of most guest choreographers often necessitates a grueling sequence of six-hour rehearsals on weekends that spill into four-hour sessions on weekdays. Two Sundays ago, Company members remained at the Loeb from 9 a.m. to 9 p.m., going home exhausted and sore after a marathon session of hanging lights and setting up the theatre...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

Auster’s concern is in the self-conscious depiction of the confusion of his characters; digging through books and words and letters to find truth, to find something—to find themselves. The protagonist of “Invisible,” Adam Walker, does just this; he looks for himself in Paris and looks at himself in letters. His quest is one of identity, but strangely, Auster’s almost simplistic prose leaves Walker as effervescent and fleeting as the novel itself...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: ‘Invisible’ Remains Transparent | 11/6/2009 | See Source »

...crisis: Walker’s point of view (one among three) varies from first- to third-, and even second-person. The story opens in the first-person, from Walker’s perspective, on the streets of New York City in 1967: a student and writer at Columbia University, Walker meets at a party the inscrutable Rudolf Born—a professor who soon thereafter offers to finance a literary magazine that would have Walker at its helm. This role provides Walker with a definitive, if transient, identity—as he realizes: “It was the first...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: ‘Invisible’ Remains Transparent | 11/6/2009 | See Source »

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