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Word: wall (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...sensationalism of the copy forestalls any extended attempt by the Spectator editors to explain why the Columbia campus was one of the earliest to erupt. Why, that is, beyond despair over the war and distaste for university bullying of the community, issues, common to all campuses. The Ivy Wall makes a flying reference that greater social awareness at Columbia and an insensitive administration might have triggered the crisis...

Author: By Ruth Glushien, | Title: Ivy Wall | 3/20/1969 | See Source »

...Wall needs weeding. But the more serious complaint against it is its revolutionary melodrama that most often fills the place of analysis. Chapters end with Drama (Is there no way to get Dean Coleman released? There is no way, says Truman.) and with Hope (a wedding scene on the steps of occupied Fayerweather: "I now pronounce you children of the new age," spins the saga of revolution...

Author: By Ruth Glushien, | Title: Ivy Wall | 3/20/1969 | See Source »

...from a pillow? "O Mr. Markin," would it say, "You've not come like that in such a long time. You better rest now. Here, take this breast." Mrs. Markin smiled politely in the silence and let her eyes drift from the secretary to the painting on the paneled wall. She heard the typing start again...

Author: By William L. Ripley, | Title: Choosing Fruit | 3/17/1969 | See Source »

...walked into the office and Mildred was typing and my wife we listening. The new paintings jumped off the wall at me because my wife was there. I was gone longer than I had expected because I met the son of a friend of mine. The boy had just returned from the war, and I asked him to have a drink with me. One would expect he wouldn't want to had been in combat. One would expect he wouldn't want to talk about it, so I told myself, before asking him, that I wouldn't bring...

Author: By William L. Ripley, | Title: Choosing Fruit | 3/17/1969 | See Source »

...with intensity. Contemporary colorists like Morris Louis could not exist in this world of black and brown. In an extreme example, "Effet de Nuit," cross-hatched lines form a network of fog and on a spot of page glows on he horizon. Maniacal rendering of cracks in a stone wall with pinpoint line adds to the peculiarity of the medium...

Author: By Cynthia Saltzman, | Title: Delacroix to Degas | 3/17/1969 | See Source »

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