Word: wallachã
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...however, are generally eclipsed by the stronger songs that surround them and the disc’s overall composition, which makes its 13 tracks fly by in a pleasurable breeze. “Beneath the Veil,” which opens simply with a brisk bluegrass guitar rhythm and Wallach??s voice dancing on the lower limits of its register before giving way to lighter fare replete with handclaps and a tambourine, is a prime example of experimental success. One part “Rocky Raccoon,” one part “Walk the Line...
When the taping is complete, I accompany the band as they’re shuttled around to give interviews and collect more free perks. After riding around for a few hours, I come to the conclusion that, idiosyncracies aside, Chester French are good guys. Wallach??s less-desirable, self-interested side is tempered by an amiable enthusiasm. Drummey, on the other hand, is an undiluted cynic. His interjections are slathered in sarcasm, and he becomes candid only when discussing his music and whether he would be pursuing this career if not for the immediate attention he and Wallach...
...what appear to be giant condoms. When I get closer, I see that these objects are actuallly cleverly packaged copies of Chester French’s first official single, “She Loves Everybody.” The idea to package the singles in this way was Wallach??s last decision as the band’s manager. Today, in addition to taping an accoustic set for MTV and giving more interviews, Wallach and Drummey selected a new representative to lead them along their burgeoning careers. When I ask him what made him decide to fire himself...
...long haul ahead. Before we part ways, I ask the two what would happen if “Love the Future” tanks and all of Chester French’s hype, acclaim, and access to free jeans are suddenly gone. What would this mean for Wallach??s theory that taste trumps all? Though their seemingly unassailable confidence would seem to have precluded the notion from their minds, failure is an outcome the two have actually considered...
...learn how to record other instruments and produce other kinds of music, and I think that’s what we’ve learned to do with our music, which is break a lot of boundaries,” Wallach said. Bartosik praised Wallach??s talent in the studio. “He was great. He was very considerate, and I don’t think he’d actually worked on classical music before. He spent a lot of time making sure the microphones were set up correctly and that I was happy with...