Word: wallers
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...Shaw is opening there on April 1. Since this contract was signed before Shaw left upstage, it's possible that it is more wishful thinking. However, if he does put in an appearance, it's going to be interesting to see how the trade bears up after having Fats Waller, Gene Krupa, Jimmy Dorsey, Count Basie, and Woody Herman--good bands all. Furthermore, such statements as this one of Shaw's bode ill from both swing and dancing viewpoints: "I will attempt to have a swing band playing at such, augmented by legitimate instruments playing legitimately." I'm afraid this...
...market on records from Walt Disney's Pinocchio by a month, on Broadway Melody of 1940 by six weeks. During his days with Victor he claims to have skyrocketed most of the big name bands to the top, including such best-sellers as Eddy Duchin, Fats Waller, Benny Goodman, Tommy Dorsey, Shep Fields, Larry Clinton, Artie Shaw, Glenn Miller. Says he: "I told them how to develop an individual style. A band must have a recognizable style so that when kids start to play a record, they can listen for a minute and then say 'Why, that...
...evening of pure, concentrated hellraising, we suggest Fats Waller at the Southland. I heard him again last week, and can remember few times when I have had as much fun. The six guys in Fats' band make more music than most of the big bands ever think of making. Eugene Cedric on tenor plays solos that rampage in much the same manner that Chu Berry's do. Everybody else, including Herman Autrey on trumpet, is just as good...
...Swing's harmful little armful" drifted into town this week. The one and only Thomas "Fats" Waller is at the Southland with his band. And don't get the impression that when you go down there, you're going to hear fourteen or fifteen men earnestly endeavoring to blow their (and your) heads off. Far from this, Fats carries only six men in his band. But between some really mad kidding around, they get off some swell jazz for both listening and dancing...
...highly recommended!) which had some of the best orchestra piano I had heard in a long time. Asked the guy where he learned his style, to which he replied, "My name's Willy Gans, I can sho' play a mess of piano, and I learnt it all from Fats Waller." The point about this whole business is that Fats just can't get hep to this modern school of frill pianists. Most guys playing today play a lot of very fast and fancy right hand work, leaving the rhythm and the chord changes of the left hand to the bass...