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David 0. Selznick's Duel in the Sun, with all its dazzling cast and alleged $7 million cost, is nonetheless a horse opera. So are Howard Hughes's The Outlaw (which started out to be a story of Billy the Kid, but now features Jane Russell) and John...

Author: /time Magazine | Title: Cinema: The Oaters | 12/9/1946 | See Source »

Not since the Wallis Warfield affair had elite London drawing rooms echoed to such a coo of deliciously subdued conversation. "My dear-not the King of the Greeks!" "And just after he had won the plebiscite!" "How awful for the Foreign Office!" "And for the poor dear Hellenes!" "Hasn'...

Author: /time Magazine | Title: GREECE: King's Mistress | 9/30/1946 | See Source »

Through the Transom. This month, by way of not celebrating two decades of pioneering, Warner's offerings include an undistinguished musical-biography (Night and Day), a couple of tired remakes (Of Human Bondage, One More Tomorrow), two thin little comedies (Janie Gets Married, Two Guys from Milwaukee). Gone to...

Author: /time Magazine | Title: Cinema: Cut-Rate Dreams | 8/12/1946 | See Source »

For example Hal Wallis, onetime production boss at Warner Brothers, had made a deal to use Paramount's studio facilities for his independent productions, and sold Paramount some stock. Hal Wallis did not collapse his corporations after every picture. But some of those set up by Leo Spitz, of...

Author: /time Magazine | Title: End of a Honeymoon | 8/5/1946 | See Source »

People & Money. A.R.I.'s top-drawer clients include such shrewd and seasoned manufacturers as Sam Goldwyn, Walt Disney, MGM, David 0. Selznick, Hal Wallis, J. Arthur Rank, RKO. After ten years of cautious experimenting and testing, A.R.I, is equipped with everything from Gallup interviewers to electrical gadgets that measure...

Author: /time Magazine | Title: Cinema: A. P. & Want-to-See | 7/22/1946 | See Source »

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