Word: wallop
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Dates: during 1950-1959
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...then, to President Eisenhower: "Didn't he do a wonderful job?" Pennsylvania's Republican Representative James Fulton shouted to Mrs. Nixon: "How about a kiss for the President, Pat?" The President ducked away, grinning, lifting a shielding arm: "Dick is here, and Dick still carries a wallop." On a temporary speaker's stand, President Eisenhower nudged Pat Nixon, pointed to one of the dozens of placards bobbing above the crowd. Its legend: "Viva la Blond...
...First Wallop. To this amazing rise, many video junglemen react with unease (sample: "They're film people; they'll kill live TV"), but behind the criticisms there is also wholesome respect. WNTA programs are plotted by brash Ted Cott, 41, a moonfaced, high-pressure promoter and former vice president of (in order) WNEW, NBC, and Dumont...
Cott's WNTA-TV began with a wallop. It offered quality films (The Snake Pit, Laura) three nights a week, showed them on a movie theater's continuous-program basis from 7:30 to 12:30, which let the viewer pick his time and go to bed early. In the afternoons Cott scheduled natural-science documentaries, highbrow interviews with such distinguished men as Poet Robert Frost and Dr. Jonas Salk, rebroadcasts of historic news telecasts, e.g., the famed Army-McCarthy hearings. And for its live ventures, WNTA introduced a weekly Art Ford's Jazz Party in which...
...history what C. S. Forester is to fiction. Rowse heroes-Sir Francis Drake, Sir Richard Grenville, Sir Winston Churchill-all carry the inimitable Horatio Hornblower stamp and are portrayed by Rowse in the way Sir Winston was advised by Lady Lavery to paint: "Splash into the turpentine, wallop into the blue and white, frantic flourish on the palette . . . large, fierce strokes and slashes ... on the absolutely cowering canvas." In the second of his two volumes on the Spencer-Churchill families (TIME, Oct. 1, 1956), Rowse splashes and wallops his way from the death of the great Duke of Marlborough...
Lower Art Form. The year of decision in Guinness' career was 1950. As T. S. Eliot's psychologist in The Cocktail Party, he fetched Broadway quite an intellectual wallop. His third movie, Kind Hearts and Coronets, established him as a world figure, the most famous British zany since Sir Harry Lauder. Alec was not quite sure he liked it. Like most British actors, he looked on cinema as a lower art form.* Besides, he fancied himself rather as a tragedian than as a funnyface. But there it was. And when his cold, existential, matter-of-fact Hamlet...