Word: walls
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Dates: during 1960-1969
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...have any Conservative faculty members? It seems that all one hears about are the Arthur Schlesinger Jrs. and the John Kenneth Galbraiths. In fact, it was largely due to this situation and Mr. Galbraith's de haut en bas attitude towards the Harvard Business School as reported in the Wall St. Journal (while he is battening on the fruits of of the Affluent Society created by Capitalism) that I recently changed my will leaving half my estate in trust to the Harvard Business School instead of to Harvard University as it originally read...
Without question, repeal of the tax credit will crimp the profits of companies in capital-intensive industries. On Wall Street, which generally shrugged off the tax announcement, that prospect depressed stock prices among construction firms, computer-leasing companies, steelmakers and airlines which are in the midst of a costly modernization program. Some small and medium-sized firms may well choose to curtail their factory expansion. At General Motors, the tax credit amounted to $39 million last year, or nearly 4% of its profits. But G.M. does not plan to cut back on its $1.1 billion spending program (up 28% from...
...other hand, Hansen says, old Bridget Bishop, whose revelations of witchcraft panicked Salem, "in all probability" was a practicing witch. That was her reputation, and apparently she had not denied it before the trials. Dolls with pins stuck in them had been found in the cellar wall of a house she had lived in. A local dyer testified that she had asked him to dye pieces of lace too small for human use-bits intended for use in image magic, Hansen thinks...
...likes to get things done--in the most immediately efficient way possible. He finds the vulnerable chink in the problem he wants to solve, and he begins his attack there. If the attack is fruitless he moves elsewhere. He does not ram his head into the wall...
Watching Pierrot Le Fou, a film that should be seen at least twice, is the best way of getting to know Godard's highly personal style: his revolutionary jump cuts, blue and red filters, characters set against a blank wall, references to his other films, and heavy use of literature. Above all, Godard makes the viewer acutely aware of the film-making process. His point here is to make the viewer acutely aware of the film-making process. His point here is to make the viewer realize that his is not an "art film," divorced from life, but is rather...