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...will hopefully help Radcliffe in the upcoming season, is that as with Davies before her, the crew once again has one of the top young rowers in the nation in its hand.But success will still depend on one thing—the team.—Staff writer Walter E. Howell can be reached at wehowell@fas.harvard.edu...

Author: By Walter E. Howell, CRIMSON STAFF WRITER | Title: HEAD OF THE CHARLES '06: Golden Girl | 10/20/2006 | See Source »

...Harvard University Art Museums (HUAM) have just acquired the Walter C. Sedgwick Collections of Japanese Buddhist sculpture and early Chinese ceramics, described in a HUAM press release as the most significant addition to Harvard’s Asian art collection in many decades. The collections, acquired through a split gift and purchase arrangement, are divided between Japanese Buddhist sculpture and early Chinese ceramics. “This will complete our already outstanding collecting…it puts us in a position of international prominence,” said Robert D. Mowry, Alan J. Dworsky curator of Chinese art and head...

Author: By Alexander B. Fabry, CRIMSON STAFF WRITER | Title: HUAM Snags Asian Rarities | 10/19/2006 | See Source »

...with how I'm going to get dressed, do my hair and apply my make up with my dominant hand in a sling. Then I read Weisskopf's story. I am no longer worried about my situation. The bravery and courage exemplified by Weisskopf and his fellow amputees at Walter Reed are truly awe- inspiring and humbling. Those men should certainly be considered for Persons of the Year. Mary Ellen Lukasiewicz Cumberland, Rhode Island, U.S. Weisskopf's tale of losing a hand in Iraq and his struggle to understand his ordeal was one of the most touching pieces of journalism...

Author: /time Magazine | Title: Surviving Loss, Regaining Life | 10/17/2006 | See Source »

...have been obsessed with how I'm going to get dressed, do my hair and apply my makeup with my dominant hand in a sling. Then I read Weisskopf's story. I am no longer worried about my situation. The courage exemplified by Weisskopf and the amputees at Walter Reed are awe inspiring and humbling...

Author: /time Magazine | Title: Letters: Oct. 23, 2006 | 10/15/2006 | See Source »

...scenes that evoke such pathos as Black’s finale performance of “Let’s Get it On.” The play’s book, written by David Lindsay-Abaire, abridges and bastardizes Hornby’s work; the cast, directed by Walter Bobbie, lacks any semblance of vocal or acting talent; and the original score by Tom Kitt channels Meatloaf more than Marvin Gaye. Calling “High Fidelity” a disaster would be giving too generous an appellation to the two-and-a-half-hour train wreck that opened...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Let's Get It On? No, Let's Leave the Show | 10/12/2006 | See Source »

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