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...discussing the recent Knicks-Heat brawl with a man in his fifties. He remembers the Knicks of Walt Frazier, Willis Reed and Bill Bradley...

Author: By Jamal K. Greene, | Title: An Open Letter to Marv Albert | 5/21/1997 | See Source »

Anyone who has ever heard a Knicks radio broadcast knows that Walt Frazier has had his moments of not thinking. But that's not how Knicks fans remember...

Author: By Jamal K. Greene, | Title: An Open Letter to Marv Albert | 5/21/1997 | See Source »

...would revolutionize movies with a talking mouse was having a hard time raising the $18,000 for his first talking picture--a thing with a mouse. To get his Steamboat Willie sound track recorded on the equipment owned by a con artist named Pat Powers, Walt Disney agreed to let Powers distribute his cartoons. Mickey Mouse was an instant star, but Disney saw little cash from Powers. From this he learned to trust no one. Walt's invaluable animator, Ub Iwerks, learned less. Powers lured him away to make Flip the Frog cartoons, and Iwerks sold his 20% share...

Author: /time Magazine | Title: CARTOONS ARE NO LAUGHING MATTER | 5/12/1997 | See Source »

Cartoons are cash cows, money mice, dollar ducks, beyond the dreams of Iwerks or even Walt. The Lion King earned $300 million at the domestic box office, more abroad, and zillions more in video. This summer's Disney feature, Hercules, looms huge: it might make Simba roar with envy; it will surely spur the rebels at DreamWorks, under the command of former Disney exec Jeffrey Katzenberg, to draw bigger and faster on their animation slate. On TV, The Simpsons, now in its eighth superb season, begot Ren and Beavis, Duckman and King of the Hill. Disney and Warner stores sell...

Author: /time Magazine | Title: CARTOONS ARE NO LAUGHING MATTER | 5/12/1997 | See Source »

...charge rarely knew the worth of these cartoons, artistically or financially. Even Walt, in his later years, was blinkered. The genius-boss, who in 1934 had dazzled his staff for four hours laying out his vision for Snow White, turned bitter and vindictive after a 1940 strike at the studio. Disney now coveted real estate; bored with putting fantasy kingdoms into films, he wanted to put one in Anaheim, Calif. And he thought so little of the cels (the precious units of any animated film) that he gave them away to visitors when Disneyland opened...

Author: /time Magazine | Title: CARTOONS ARE NO LAUGHING MATTER | 5/12/1997 | See Source »

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