Word: walts
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...There never was an authentic or open policy debate in the six months leading up [to the invasion],” said Harvard Kennedy School professor Stephen M. Walt, an international relations theorist and one of the most prominent opponents of the war at Harvard...
...terrorism, soft on the bad guys.” For the Harvard academics who predicted the current turmoil in Iraq, the lack of accountability for the war’s intellectual supporters can be frustrating. No policy expert has a perfect track record, said Belfer Center expert Stephen M. Walt, who was one of 36 American political scientists to sign an advertisement in The New York Times in September 2002 opposing the war. Only one of his Harvard colleagues, Stephen E. Miller, joined him in signing the letter. “What is more troubling is the absence of remorse...
...views,” said Kennedy School professor Alexander Keyssar ’69, who has known Ignatieff since they were graduate students. “Yet most of the faculty I know here opposed the war.” Kennedy School professor Stephen M. Walt, who opposed the war from the beginning, said Ignatieff’s article “got it backwards.” “The problem was not that he listened to idealists in the academy,” he said. “It’s rather that he didn?...
...Civil War. No one, even the fashionable lady mourner, is exempt from Faust’s wit. Everyone’s story—whether they’re a private or a general, a slave or a Harvard scholar—is fair game. Faust tells us about Walt Whitman’s attempts to nurse wounded soldiers, Clara Barton’s mission to exhume and identify the bodies of unknown soldiers, and Oliver Wendell Holmes, Sr.’s (if you were wondering, Class of 1836) search for his soldier son. But she?...
...suffered. The video, directed by Dave Meyers, features “Ching-A-Ling” and “Shake Your Pom Pom” off the “Step Up 2 The Streets” soundtrack. To make the video, Elliott and Meyers teamed up with Walt Disney Studios, the same people behind the 3-D work in Hannah Montana’s Best of Both Worlds Tour. Now that’s gangsta. Regardless of the eye-popping action, the video does uphold certain tropes of Elliott’s videography, such as song-to-video...