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...telethon's "Love Network," take over, and it's time for local celebrities. Not Harry Ellis Dickson, not Elma Lewis, not Charles Laquidara. It's Rex Trailer, a former cowboy who had a Saturday morning children's T.V. show about seven years ago. Now he leads trips to exciting Walt Disney World over April school vacation and, on Labor Day, helps raise money for Jerry's kids. Chet Curtis and Natalie Jacobsen, Channel 5's anchor team and newlyweds who recently had their first child (many dollars are pledged in the name of 14-week-old Lindsay Dawn). Jess Cain...

Author: By William E. Mckibben, | Title: Boston: 267-2200 | 9/14/1981 | See Source »

...games. Many readers were offended by Irving's mating of the truly tragic and grotesquely comic, by the car crash that kills little Walt and removes Michael Milton's penis, by Roberta Muldoon, the transsexual football player, and the Ellen Jamesians, the radical feminist group whose members cut out their tongues to protest rape. Among those with reservations was the author's mother. Says Frances Irving: "There are parts of Garp that are too explicit for me." Literary heroes like T.S. Garp and John Berry of Hotel New Hampshire challenge social dogmas and traditional sexual roles. Although...

Author: /time Magazine | Title: Life into Art: Novelist John Irving | 8/31/1981 | See Source »

...HOUND A Walt Disney Production...

Author: /time Magazine | Title: Cinema: The New Generation Comes of Age | 7/20/1981 | See Source »

...time was the 1930s and early 1940s. The place was the Walt Disney Studio. Members of the young team that drew Mickey, Donald, Pluto, Goofy and the rest of its barnyard denizens were early students of what is now referred to as body language. They understood that, on the screen, action is character, that in the exaggerated twitch of one of their little anthropomorph's bottoms, the stretch of his back or the lift of his ever-scampering feet they could, with fine comic efficiency, show the state of his emotions. The history of animation from the Mouse...

Author: /time Magazine | Title: Cinema: The Great Era Of Walt Disney | 7/20/1981 | See Source »

...most valuable about the exhibit is the care with which Curators John G. Hanhardt and Greg Ford have sorted out the individual contributions of the animators. All of them could outdraw the founder, who hung up his pencil early to assume the role of a demanding, inspiring editor. Though Walt tended to get the credit for everything that came out of the studio, its style was really the creation of many artists, each one honing a speciality. Ward Kimball, Les Clark and Frank Thomas were particularly adept at complicated fast-moving action sequences, while Art Babbitt concentrated on large, slow...

Author: /time Magazine | Title: Cinema: The Great Era Of Walt Disney | 7/20/1981 | See Source »

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