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...greatest American success has been Circarama. This Walt Disney movie (not cartoons) takes viewers on a 20-minute color tour of the U. S. A., an uninterrupted panoramic scene in a complete circle. The spectators stand inside the circle, look up, and rotate their heads so as not to miss any of the breath-taking trip from the Statue of Liberty to the Golden Gate. Excellent propaganda, even for Americans...

Author: By Martha E. Miller, | Title: Impressions of the Brussels Exposition: Diversities, Faults Typify 'World, '58' | 10/4/1958 | See Source »

Resting rock-like on the twin foundations of hindsight and inevitability, Road to the Stars is pretty dull entertainment. The future is offered as a fantastic but closed book. The invasion of the cosmos isn't as exciting as Walt Disney or George Pal might make it. More interesting is the account of the early struggles of the late Soviet creator (in 1903) of the multiple-stage rocket, Konstantin Tsiolkovsky, a schoolteacher "as modest as he was great." Half-deaf himself, Tsiolkovsky was able to gain no other ears than those of his young students until the October Revolution...

Author: By Jonathan Beecher, | Title: Road to the Stars | 9/29/1958 | See Source »

...Gloucestershire clergyman and blessed with a private income, Ralph Vaughan Williams was never a man in a hurry. Not until his 35th year, when his Walt Whitman cantata Toward the Unknown Region was performed (1907), did he attract any real attention; by then he was already six years a Mus.D. from Cambridge. He wrote his first ballet (Old King Cole] at 51, his first film score (49th Parallel) at 68. Ever eager to try his hand at something new, he surprised Harmonica Virtuoso Larry Adler with a Romance for Harmonica with orchestral accompaniment. By then Composer Williams...

Author: /time Magazine | Title: Music: Parish-Pump Composer | 9/8/1958 | See Source »

Spare the Rods. The two college-level films are being done entirely in animation. Observes Berkeley Chemist Joel Hildebrand, head of the American Chemical Society advisory committee that approves every frame of the films: "We've been very careful to avoid the Walt Disneyish type of film. There are no little fairies pushing things around." Neither are molecules represented-as they are in classroom models-by little balls held together by rods. Says Hildebrand: "We have taken out the rods and put in dotted lines to represent axes. That way nobody will mistake them for anything physical." Middleman...

Author: /time Magazine | Title: Education: Films that Teach | 9/1/1958 | See Source »

White Wilderness (Buena Vista) is the awesome product of three arduous summers and winters spent by eleven Walt Disney photographers in the Canadian and Alaskan far north. Their cameras caught enough to make any naturalist drool with delight. A polar bear plunges into the icy Arctic seas to give vain chase to a frisky seal; cocky bear cubs attack a one-ton walrus and drive him from his perch; a wolverine, nastiest of all far northern beasts, shrugs off the dive-bomb attacks of an osprey to climb a tall tree and devour a fledgling. Most impressive scene...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 18, 1958 | 8/18/1958 | See Source »

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