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Front-Office Punch. The man who made the Journal what it is today is Harry Johnston Grant, a square, muscular dynamo of a man with white hair and bloodshot blue eyes. An omnivorous reader, he is also an overpowering talker with a Walt Whitman-like flood of words (studded with four-letter ones) and a sincere belief that the successful operation of the paper is a public trust. He is purposely unknown to most Milwaukeeans. He declines most social invitations, has few friends, fearing that outsiders might try to influence the paper. He is also an enigma to most...
Beaver Valley. The second in Walt Disney's series of nature documentaries; a Technicolored look at the heroes and villains inhabiting the animal world of a Rocky Mountain beaver pond (TIME, Sept...
...also has two fine backers-up in Charles Masters and Bob Spears (the offensive fallback); it was difficult to assess Yale's pass defense in view of Connecticut's exhibition, but the defense did seem somewhat vulnerable to short aerials. The right side of the line, led by Quackenbush, Walt Clemens, and Rufe Phillips, appeared stringer than the left...
Beaver Valley. The second in Walt Disney's series of nature documentaries; a Technicolored look at the heroes and villains inhabiting the animal world of a Rocky Mountain beaver pond (TIME, Sept...
Beaver Valley. The second in Walt Disney's series of nature documentaries; a Technicolored look at the heroes and villains inhabiting the animal world of a Rocky Mountain beaver pond (TIME, Sept...