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...your article in TIME issue of Dec. 27 regarding the accomplishments of Walt Disney, the author has failed to give credit to the man who is the father of animated cartoons and who created them almost 30 years ago at which time Mr. Disney was probably running around in rompers...

Author: /time Magazine | Title: Letters, Jan. 10, 1938 | 1/10/1938 | See Source »

...Walt Disney wears the Hollywood uniform: lounge coats, open-throated shirts, fancy sweaters. His thick, dark brown hair, which dips to a widow's peak slightly less emphatic than Robert Taylor's, has a long top lock which Disney wraps around his finger while he talks. At a loss for words, he often resorts to pantomime. He works until six or seven o'clock every night, in busy times works round the clock. He drives his Packard roadster home to dinner, plays with his baby daughters, Diane Marie and Sharon Mae, and goes to bed. Hollywood hotspots...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

...business-the nepotist corporate structure which is another Hollywood characteristic. But neither the corporate structure, nor Mr. Disney's indefatigability, nor the 75 animators, nor the $75,000 camera, nor the $800,000 plant, nor the $2,000,000 gross explain the great Quality X in Walt Disney, Inc., the thing which in the past decade has sent thousands of feet of wonderful little animals and fairybook people dancing out into the world-people and animals whose appeal is so profound and so pervasive that they are loved by literally everybody everywhere...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

Perhaps no one is less analytical, or cares less, about Walt Disney's Quality X than Walt Disney himself. He was actually puzzled when pundits discovered social significance in Three Little Pigs. "It was just another story to us," he says, "and we were in there gagging it just like any other picture. After we heard all the shouting, we sat back and tried to analyze what made it good. Then we tried consciously to put some social meaning into The Golden Touch. It ended with King Midas surrounded by his gold, hollering for a hamburger...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

Nevertheless, when no less a savant than Aldous Huxley went to Hollywood, he tried to find out just what made Walt Disney do the kind of work he does. Mr. Disney was not much help. "Hell, Doc," he said, knitting his eloquent brows, "I don't know. We just try to make a good picture. And then the professors come along and tell us what...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

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