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There is a certain ambivalence to the struggle. Shirley concedes that her father "taught me to waltz without hopping," and remembers him as a handsome man who looked like William Powell. Relatives have tried, without success, to bring Shirley and her father together. Her younger sister Jean, who sees their father infrequently, says: "My father is stiff and proud, and will never give in. Shirley will never give in either." Shirley's stepmother. Rita Ford, cries despairingly: "If they could only understand how much alike they are! They both have the same dispositions ; they're both a bundle...

Author: /time Magazine | Title: The Theater: The Trouper | 8/10/1953 | See Source »

Instead of shrinking from the play's preposterous involvements and broadly comic scenes. Director Guthrie and his cast seize them, hug them, and waltz them right into the present. The transformation is aided by brilliant modern costumes, both Voguish and roguish, designed by Tanya Moiseiwitsch; Shakespeare in tails seems no more anachronistic than Shaw in a toga, and at times quite as cynical. The play's "Florentine Widow" becomes a wonderful old madam catering to the occupation forces; Helena's choosing a husband is turned into a charming kind of debutante cotillion; and the scene in which...

Author: /time Magazine | Title: The Theater: New Shakespeare in Canada | 7/27/1953 | See Source »

Butterflies (Patti Page; Mercury). The Doggie-in-the-Window girl turns up with more animals; this time they apparently appear in her own interior whenever she thinks of her true love. She tells about them to the tune of another simpleminded, bestseller-bound waltz...

Author: /time Magazine | Title: Music: New Pop Records, Jul. 27, 1953 | 7/27/1953 | See Source »

...London). Composed when he was 23, this work shows Britten's wit and enthusiasm at its best. Perhaps because it was inspired by a melodious theme of his teacher, Frank Bridge, it is also more tuneful than most latter-day Britten. Among its movements: a march, a Viennese waltz, a funeral march...

Author: /time Magazine | Title: Music: New Records, Jul. 13, 1953 | 7/13/1953 | See Source »

...Scott Co. (grass seed) paid him $7,500 for a color movie showing weeds curling up and dying under a chemical weed killer. After a World War II Navy hitch, Ott spent three years making a two-minute movie which showed primroses "dancing" to the rhythm of a Strauss waltz. He did this after discovering that he could make the primroses droop or rise by controlling their moisture and temperature. The movie was such a success that Ott quit his bank job, built big new greenhouses, installed cameras and elaborate timing mechanisms to work them. In four years his gross...

Author: /time Magazine | Title: RESEARCH: The Time-Lapse Movie | 7/6/1953 | See Source »

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