Search Details

Word: waltz (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...brother (Arthur Kennedy) barely suggest a relationship that the Johnston Office might have scrutinized more closely. And Ladd's scenes with a cold and seedy blonde (June Havoc) show a consistent disconcern with what Hollywood knows as real love. Trying for and missing the punch of Double Indemnity, waltz-paced Deadline is further debilitated by Ladd's paralyzed imitation of Alan Ladd...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 21, 1949 | 11/21/1949 | See Source »

Edmond A. Levy '51, director of the play, has discovered that his star's dance repertoire is limited to the foxtrot and the waltz. Kathi Osterman, Vassar '53, shown above with Rettenberg, says his dancing, "if not light," is "certainly fantastic...

Author: NO WRITER ATTRIBUTED | Title: Adams Seeks Soft Shoe Man | 11/7/1949 | See Source »

...gave them Saint-Saëns' bone-rattling Danse Macabre; he made Mendelssohn's "Italian" Symphony glow with Italian sunlight, Debussy's Afternoon of a Faun shimmer sensually. By the time he had sailed through one of his own light favorites, Waldteufel's Skaters' Waltz, the audience could not let him go without more. Even though he despises encores, he gave Ridgefield a rousing Stars and Stripes Forever...

Author: /time Magazine | Title: Music: Nice Program | 10/17/1949 | See Source »

...They Like It?" King's detractors complain of his relative musical ignorance and object to his top-sergeant tactics in rehearsing for hours over the simplest phrases. His critics are also bitter because some "original Wayne King compositions" (Josephine, The Waltz You Saved for Me, Lullaby for Latins) are actually the work of several musical collaborators. To objectors King has an invariable answer: "The test is, do the people like it?" So far, they have...

Author: /time Magazine | Title: Radio: The Embellished Waltz | 10/3/1949 | See Source »

...Waltz King expects to take TV in his stride because "it is the most satisfying medium of production ever known. It puts a premium on sincerity and honesty." To achieve "sincerity," he will rely more on pantomimes for his oldtime songs than on vocalists ("After all, everybody knows the lyrics"). There will also be a good deal of folksy comment from the maestro ("Doggone, here I am jabbering away like . . . like . . . well, a magpie...

Author: /time Magazine | Title: Radio: The Embellished Waltz | 10/3/1949 | See Source »

Previous | 156 | 157 | 158 | 159 | 160 | 161 | 162 | 163 | 164 | 165 | 166 | 167 | 168 | 169 | 170 | 171 | 172 | 173 | 174 | 175 | 176 | Next