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Brad Rouse's production of Paula Vogel's The Baltimore Waltz is an AIDS play turned "inside-out." Through the farce-like adventures of its protagonists, Anna and Carl, The Baltimore Waltz subtly addresses both the tragedy of AIDS, and the relationship of the playwright to her brother, Carl, who died of AIDS...

Author: By Joyelle H. Mcsweeney, | Title: Waltz with Death | 11/17/1994 | See Source »

...mesmerizing but awkward dance through the laboratory, slick with the creature's birth fluid. Branagh's interpretation of the Frankenstein story is thematically sound and visually arresting, though often gruesome. Yet its director/star/co-producer is never able to wrestle the film, its camera or script into a graceful waltz...

Author: By Sorelle B. Braun, | Title: Kenneth Branagh's FRANKENSTEIN | 11/10/1994 | See Source »

...plot of a single Gershwin show? True, it was Hammerstein who condensed Ferber and gave her characters sharp, affecting lyrics to sing. But it was Kern, in a majestic score that moves fluidly and freely among such disparate idioms as vaudeville (Life Upon the Wicked Stage), the Viennese waltz (You Are Love) and the flat-out operatic (Make Believe), who gave them life. It is the music, not the plot, that will keep Show Boat floating endlessly...

Author: /time Magazine | Title: THEATER: Just Keeps Rollin' Along | 10/10/1994 | See Source »

Nostalgia may be the last refuge of a desperate culture, but that hasn't stopped it from becoming an American obsession. The theme song of the '90s seems to be The Anniversary Waltz. Thirty years pass since the Kennedy assassination; time for another round of J.F.K. reminiscences. D-day hits the / big five-oh; trot out the veterans and the homilies. We've commemorated the 25th anniversary of virtually every milestone of the '60s -- last month it was the moon landing; coming up next, Woodstock. Forrest Gump, the hit movie of the summer, leads baby boomers through a veritable highlight...

Author: /time Magazine | Title: TELEVISION: Nixon Without Nostalgia | 8/8/1994 | See Source »

...entire evening, was the Wayne Shorter composition "Footprints." Drummer Hayes launched the band off on a simmering version of this '60's jazz classic. This tune featured Soloff's trumpet paying homage to Miles, and he did so in grand fashion. The piece built from a melancholy, loping waltz to frenzied round of everyone's best solos. Soloff first pointed his trumpet towards the sky and tossed out notes, then engulfed the microphone with his horn's bell and a smattering of Miles' licks. Williams closed his eyes for much of this tune, moving his head slowly side to side...

Author: By Eric D. Plaks, | Title: Stellar Sextet Puts On All That Jazz | 3/24/1994 | See Source »

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