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There is a traditional prescription for its recapture, which consists in swinging the club to a waltz tune.... So away I went to a secret valley, a very muddy one in the season of rain, where no human eye could see my contortion nor human ear hearken to my carolings, and 'Gad, there I was,' as Jos Sedley once observed, 'singing away like--a robin...

Author: By Robert Sidorsky, | Title: A Grand Writer a', Nane Better | 3/14/1977 | See Source »

...bombast is only amusing in a very bourgeois sense. The act moves to conclusion inexorably picking up speed, and unifying it with the first act is Wood's tremendous performance as Carr. Finally, the end comes, and Carr and the woman he married a long time ago in Aurich waltz stiffly onto the stage. Carr reminisces about Zurich, Lenin, Joyce--knew 'em all, he tells us smugly. No you didn't, says his wife, you weren't even consul. Somebody named Percy was. Never said I was, Carr retorts. But again he tells us, sure, knew 'em all. Three things...

Author: By Joseph Dalton, | Title: Pulling Out All the Stops | 3/3/1977 | See Source »

With the exception of the Snowflakes' waltz, borrowed from Vassily Vainonen's Kirov production, Baryshnikov completely restaged The Nutcracker. His choreography is in a classical mold, swift and precise. There are overhead lifts of every variety, and many florid codas. In spirit, Baryshnikov echoes New York City Ballet's Jerome Robbins. Fluent lyrical lines are buoyed up by the current of the music. Like Robbins, too, he sometimes descends into Broadway kitsch; a clash of cymbals in the orchestra pit invariably signaled a showy lift onstage. The audience adored...

Author: /time Magazine | Title: Music: Baryshnikov's New, Bold Nutcracker | 1/3/1977 | See Source »

There are, perhaps forgivably, some dancers who eventually come to view the show about as charitably as a harpsichordist girding for his umpty-umpth Messiah. A child might think it sheer bliss to be able to perform The Waltz of the Snowflakes. Says Vassilie Trunoff, ballet master of the London Festival Ballet: "I call it The Dance of the Cornflakes' because we've got corns on our feet from dancing it so often." There are few major dancers or choreographers whose careers have not crossed that of Herr Drosselmeyer, Marie (or Clara, as she is sometimes known...

Author: /time Magazine | Title: Dance: Tis the Nutcracker Season | 12/27/1976 | See Source »

...Radcliffe waltz was a contest hardly in doubt after the opening minutes. After a rash of Radcliffe fouls at the outset, the team grabbed a 8-4 lead...

Author: By John Blondel, | Title: Radcliffe Five Trounces Brown, 58-35 For Fourth Victory Without a Defeat | 12/13/1976 | See Source »

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