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Film director Ari Folman is probably the only man in Israel whose cartoon image is better known than his real face. On the streets of Tel Aviv, Folman - a tall, grizzled figure - passes by unnoticed. But his animated self, as the protagonist in the film Waltz with Bashir, has seared itself onto the Israeli imagination...

Author: /time Magazine | Title: Drawing it Out: Waltz with Bashir | 11/26/2008 | See Source »

...notion of Folman making a feature-length cartoon starring himself isn't as self-indulgent as it sounds. Waltz with Bashir isn't a whimsical WALL-E?style adventure or a cutesy Disney cartoon. Part documentary and part memoir, it details Folman's odyssey to retrieve the lost memories of his youth as a bewildered soldier under fire in Beirut during the 1982 Lebanon war. Through flashbacks, visits to a psychiatrist and stories told by old war buddies, Folman's animated self follows his real-life quest to remember what happened. (See pictures from the best anime movies...

Author: /time Magazine | Title: Drawing it Out: Waltz with Bashir | 11/26/2008 | See Source »

...Waltz with Bashir, which opened in the U.K. in mid-November and opens in the U.S. in December, has already found fans well beyond Israel's borders: it earned a Palme d'Or nomination at Cannes and will be in the running for Oscars next year. The film's images may seem simply drawn, and move at a sleepwalker's dreamy pace, but Folman uses them to capture war's surreal brutality. The title refers to a scene when an Israeli soldier, pinned down by sniper fire from the surrounding Beirut apartment blocks, leaps up and starts firing his heavy...

Author: /time Magazine | Title: Drawing it Out: Waltz with Bashir | 11/26/2008 | See Source »

...Waltz is more than simply a war movie; it's about memory, lost and regained, and how the mind copes with horrible things. "My mother and father were both Holocaust survivors," Folman says. "My mom talks about it always. My father never does. We all have our own strategies for dealing with tragedy." His strategy for over 20 years was to bottle it up. "I'd never heard my own story. It never left my mouth...

Author: /time Magazine | Title: Drawing it Out: Waltz with Bashir | 11/26/2008 | See Source »

...11–accompanied O’Neill’s vocals on the guitar and then added a harmonica, much to the crowd’s delight.For the last song, O’Neill took up her violin to round out “Julie’s Waltz,” named for Julie M. Wright ’11, who played piano and percussion back-up for the band.Though they did not yet know that they would walk away from the contest with the opportunity to record an album with Veritas, the trio knew they needed...

Author: By Chelsea L. Shover, CRIMSON STAFF WRITER | Title: The Battle of the Bands | 11/10/2008 | See Source »

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