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Champagne Waltz (Paramount). The perennial and expensive effort to make a Grace Moore out of Gladys Swarthout seemed to have more logic some time ago when Miss Moore was a more important box-office draw. This version of the endeavor is a heavy-footed musical naively designed to combine the best features of jazz with those of the Viennese waltz. It concerns one Buzzy Bellew (Fred MacMurray), leader of a swing band which, reaching Vienna in a continental tour, ruins the business of the Franz & Elsa Strauss Waltz Palace. In the U. S. consulate, Elsa (Gladys Swarthout), who has gone...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 25, 1937 | 1/25/1937 | See Source »

With an appealing tremble of her lower jaw, Miss Swarthout, smartly dressed, sings several songs. None of them is notable. Whatever merits Champagne Waltz possesses are dependent on the well-seasoned comic abilities of Jack Oakie, cast as Happy Gallagher, manager of the band. Badly befuddled by the ways of Europeans, Gallagher wanders through elaborate settings making remarks like "60 feet away you can't tell them apart and 60 days later you don't care. . . . All women drive you screwy except your mother and she drove your old man screwy." Best musical number: dream sequence of Johann...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 25, 1937 | 1/25/1937 | See Source »

Songs: The Sweetheart Waltz, I Adore Yon, So What? Rhyme for Love...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 4, 1937 | 1/4/1937 | See Source »

...Line in a Sunday-school concert. When he was studying law at the University of Western Ontario, he skipped out before the spring examinations, got a job soloing in Manhattan's Brick Presbyterian Church, later earned $700 a week singing Lieut. Niki in Oscar Straus's A Waltz Dream. Money saved therefrom took him to Italy where he studied under Caruso's old teacher Vincenzo Lombardi. Cynical old Lombardi said he would make better progress with an Italian name. Translated into Eduardo di Giovanni, he cut a wide singing swath through Europe, kept the name until...

Author: /time Magazine | Title: Music: Met's Metamorphosis | 12/21/1936 | See Source »

...production afflicted with post-War megalomania, White Horse Inn will doubtless spread its abundant, handsome Tirolese sets out into the audience and up beyond the proscenium arch of John D. Rockefeller's Center Theatre in Radio City for as long a stay as The Great Waltz...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Oct. 12, 1936 | 10/12/1936 | See Source »

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