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Word: waltzed (lookup in dictionary) (lookup stats)
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...master of thumping anthems rather than gracious melody. Composer Romberg has nevertheless managed to do well without a singing chorus in this show, has written for May Wine a charming little waltz called Something in the Air of May and an appealing fox trot, Once Around the Clock, which audiences leave the theatre trying to recall...

Author: /time Magazine | Title: The Theatre: New Play in Manhattan: Dec. 16, 1935 | 12/16/1935 | See Source »

...plight, he makes a scene voicing his self-pity as a failure, disappears. Miss Pons, thoroughly bored with lonely success, finds him driving a taxi, turns his bad opera into good musicomedy. Agreeably sung by Lily Pons are four songs by Jerome Kern, including a waltz called I Dream Too Much, Little Jockey on the Carrousel and I've Got Love which the diva has described as a " 'ot song, very 'ot." The picture also introduces blandly comic Eric Blore (Top Haf) and an amiable seal. Good shot: Blore & seal gazing reproachfully at Miss Pons...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 9, 1935 | 12/9/1935 | See Source »

Those who doubted the prosperity of The Great Waltz once it left the airy reaches of its own Center Theatre in New York were in for a happy surprise when it opened at the Opera House on Thursday night. It is still the same lilting four-start musical that ran for a year in New York...

Author: By L. P. Jr., | Title: CRIMSON PLAYGOER | 10/5/1935 | See Source »

...rather slight story of The Great Waltz is built around the careers of the Johann Strausses--father and son. Guy Robertson lends grace to the figure of Young Strauss as an artist in love, praying for recognition for his music, and balked by a jealous father. Marie Burke is very satisfying as the Countess who sponsors his career and finally brings him his "great chance...

Author: By L. P. Jr., | Title: CRIMSON PLAYGOER | 10/5/1935 | See Source »

...things that make the Great Waltz worth going to see are Hazard Short's brilliant stage effects, the lovely evolutions of the Albertina Rasch ballet--and, above all, the Strauss Waltzes which weaves their way through the production casting a spell of Viennese laughter and gayety...

Author: By L. P. Jr., | Title: CRIMSON PLAYGOER | 10/5/1935 | See Source »

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