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Word: waltzes (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

Ninety-eight per cent of the tunes published by Tin Pan Alley (Manhattan's sheet-music publishing industry) are in 2/4 or 4/4 time. But when, once in a blue moon, a waltz (3/4 time) catches on, it usually leaves the best selling of its rivals trailing by laps. Most sensational Spanish-style waltz hit was a tune by Tunesmith Mabel Wayne called Ramona (1928). One of the biggest sellers in Tin Pan Alley's history, Ramona ended by piling up sales of two million copies...

Author: /time Magazine | Title: Music: Best Seller | 4/18/1938 | See Source »

...late year about this time, when the students sit on the steps in the twilight smoking, when their lady friends sit with them in open cars, when all music is a waltz, when the little girls tie blue ribbons in their pigtails, and older sisters walk together laughing in the darkness. It was when shouting ragamuffins go roller skating up the street, and older brothers hang up their trousers at night to keep the press in, when a roommate borrows the car to go to Wellesley, when the debutantes read poetry, when the moon is a soft, golden cartwheel...

Author: NO WRITER ATTRIBUTED | Title: The Vagabond | 3/25/1938 | See Source »

...balm. To some other readers, the President's wife seems the Pollyanna of columnists. Even when, last fortnight, she reproved Dramatic Critics Brooks Atkinson of the New York Times and Richard Watts Jr. of the New York Herald Tribune for their blunt dismissal of Save Me the Waltz, a short-lived, Graustark-under-a-dictator romance, it was still in the spirit of loving the sunshine. Critics Atkinson and Watts, wrote Columnist Roosevelt, "seemed to infer that because this play does not teach a great lesson or pick any particular people to pieces, it is worthless as a play...

Author: /time Magazine | Title: The Theatre: Journalists' Quarrel | 3/21/1938 | See Source »

...need be made on a work which Rossini considered representative of "the perfect balance between science and genius," and so we pass over "Don Giovanni" to consider "Der Rosenkavalier." This opera combines expertly three phases of Strauss's genius, his dramatic flare in the overture, many a charming Vicnneso waltz and pure Mozart-like melodies. The trio for female voices, which foreshadows the duet for soprano and alto in "Arabella," has been ranked with the famous quintet from Wagner's "Dic Meistersinger." And the entrance of the Rosenkavalier in the second act, clad all in white...

Author: NO WRITER ATTRIBUTED | Title: THE MUSIC BOX | 3/11/1938 | See Source »

...struts about barking wise cracks and chewing his large cigar. At his best in a very unconventional game of golf, he provides the film with a few good moments; but when he is gone, there is little left. To be sure, here is a dramatized history of the waltz, which is new; but the songs by Dorothy Lamour, Shirley Ross, and Martha Raye, and various novelty bits follow conventional lines...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 2/18/1938 | See Source »

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