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ELECTRA: Wait, I've got a much better idea. Come on. We've gotta find out where the good places are. (The three wander through the stacks until they come upon a darkened alcove...

Author: By T. JAY Mathews, | Title: Lamont: The First Night | 1/18/1967 | See Source »

Sometimes The Victors confuses you with details and the seemingly pointless fluttering of some thin characters. But this is only outside the cage. Inside, Sartre and Babe avoid allowing the lines of the play to wander off from each other and the result is a fascinating, lucid view of the tombless dead and the entombed living...

Author: By George H. Rosen, | Title: The Victors | 11/18/1966 | See Source »

...breathe or reflect. David Wheeler's Boston version inherits most of Weiss/Brook's inspiration and contributes a little of its own. The play "breathes." Marat (Clinton Kimbrough) hunkers in a large bathtub at the center, periodically approached by Corday (Lisa Richards) and Sade (Frederick Kimball). The patients sprawl, wander and sprint across the stage in johnnies and slippers. And a chorus in the tatters of Revolutionary costumes roams from the lights to the wings, now clustering around the tub to mime the principals' conversation, now reaching out to incite the patients to riot. Each brawl is quelled by the nurses...

Author: By Stuart A. Davis, | Title: Marat/Sade | 10/29/1966 | See Source »

...chase that Hitchcock milks for suspense fails because the audience's attention is allowed to wander from the heroes, Paul Newman and Julie Andrews, to the previously unseen leader of an underground group. Also, the suspense menace (another pursuing bus) is not made convincingly menacing. The climactic theatre sequence where Newman and Andrews avoid the East Berlin police by creating a fire disturbance shows Hitchcock efficiently going through his paces--he has filmed variations of the same scene in four earlier pictures--but without his usual inventiveness. The final ocean-liner scene, where the fleeing physicists are found hiding...

Author: By Tim Hunter, | Title: Torn Curtain | 7/19/1966 | See Source »

Buried Ballroom. The hotel has no fewer than 32 shops and seven restaurants and bars, including the dimly lit Hong Kong Bar, with its bead-curtained alcoves, and the Spanish-style Granada Grill, with arched doorways and central fountain. In front, guests can wander onto an outdoor "cafe plaza," one floor below lobby level; in back, they can sip tall drinks beneath mustard-colored umbrellas in a Japanese-style formal garden crisscrossed with bridges, or take a dip in the swimming pool...

Author: /time Magazine | Title: The City: The Prestige Acropolis | 6/10/1966 | See Source »

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