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Littlejohn rambles on in this vein for ten tedious pages. The reader, however, can conquer the tedium by letting his mind wander and try to guess whose style Littlejohn is trying to imitate...

Author: By R.andrew Beyer, | Title: The Lion Rampant | 3/29/1963 | See Source »

Muggers attack in broad daylight. Churches lock their doors because, as one clergyman explains, "Too many bums come in, wander around and take what they like." Last week a purse snatcher was shot to death by a rookie patrolman; a 40-year-old man was beaten to death in his home with a leg wrenched by a couple of intruders from his end table; a bank was robbed and police pursued the bandits through the streets while passers-by scattered to escape the gunfire. All this is in Washington. D.C., the nation's capital and a city tortured...

Author: /time Magazine | Title: The Capital: The Keg with the Lit Fuse | 3/22/1963 | See Source »

...establish a heirarchy of society from "scientist" to "drunkard" (as if no scientists were also alcoholics!) and the IQ test becomes our new Bill of Rights. For the lucky few in Harvard this attitude may seem entirely proper, as long as they stay around the Square and don't wander into the shabby area a few blocks below Dunster House. Since we are judging the individual on his merits we might as well forget about the blatantly unequal opportunities in education, employment and housing and culture which tend to maim the individual Negro...

Author: NO WRITER ATTRIBUTED | Title: THE WHITE LIBERAL PROBLEM | 2/28/1963 | See Source »

...Gogh. One of his first major paintings, inspired by the death of a sister, was called The Sick Child, and all his life sickness and death, suffering and fear were to be his themes. His people could cry out and the sky would seem torn apart. They might wander blankly down a street, eyes sick with anxiety, together but each alone. Few artists have ever recorded as well the cold terror and unrelenting melancholy of a person gripped in the clutches of a paralyzing neurosis. A Munch painting, The Cry, painted in 1893, became an appropriate TIME cover...

Author: /time Magazine | Title: Art: The Black Angels | 1/4/1963 | See Source »

...Richter also worked. Returning to his old graveyard-shift practice schedule, he would emerge from his studio alone in the middle of the night, then wander down to a restaurant in Les Halles and eat platters of sea urchins fresh from the shore. Such excursions seemed enriching, and by the night of his first concert, Richter was ready with more than just music. Hoping to cast a sympathetic spell for his program of Chopin and Schumann, Richter adorned the Salle Gaveau stage with flowers, tapestries and a battalion of immense candelabra-a naive little gesture that welcomed disaster by suggesting...

Author: /time Magazine | Title: Music: Genius Unbound | 1/4/1963 | See Source »

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