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...preface, it could be any one of a number of things, from a perverse drawing room comedy to an analytical discussion of illusion and reality. For, unlike Shaw's earlier work, Heartbreak House is not a well-made, coherent play. With a gay abandon reminiscent of Chekhov, the characters wander on and off stage, chattering seeming irrelevancies (which are resolved in the final act when the allegory becomes clear), but never contributing to the development of the plot...

Author: By Joseph P. Lorenz, | Title: Heartbreak House | 5/2/1952 | See Source »

Never Make It a Chore. Quit reading when you're tired or your attention begins to wander. If a story bores you, stop it and start another. There's no harm done if you skip a few evenings...

Author: /time Magazine | Title: The Theater: How to Read Aloud at Home | 3/31/1952 | See Source »

...lyrical dance duet by the lovers (Diana Adams, Jacques d'Amboise), a sword fight between Tristram and the cuckolded king (Francisco Moncion). Then, as Tristram and Iseult lie adying, the stage darkens again, the ruins of Tintagel descend, and the dancers don their dusters, derbies and veils. They wander off, wondering whether it was a dream...

Author: /time Magazine | Title: Music: New Elizabethans | 3/10/1952 | See Source »

...matter how it is applied, the Feinberg Law will corrode the basic freedoms of opinion and expression. Many teachers will not join organizations that they fear have been or will be declared subversive, nor will they dare make statements that wander too far from the orthodoxy of the times. Even if the threat of expulsion is not very great, there is always the possibility of a hearing which is almost as unpleasant. Justice Douglas' dissent, which predicted a vertitable spy system growing up in the New York school system, is not so alarmist as it might appear at first reading...

Author: NO WRITER ATTRIBUTED | Title: The Feinberg Law | 3/8/1952 | See Source »

...manner of soldiers, doctors, refugees, and Arabs wander on and off the stage, but they all contribute more to the development of Lili Engel's character than to any coherent story. Their own character are sketchily drawn; one--a hunchback doctor by the name of Ghoulos--makes no sense at all. Except for Freund, a Viennese merchant convincingly portrayed by Paul Mann, these minor characters generally overact, perhaps because Director Elia Kazan feels the need of sharp contrast to the complexity of Mrs. Engel...

Author: By Joseph P. Lorenz, | Title: Flight into Egypt | 3/5/1952 | See Source »

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