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...Lawrences travel from New Mexico to Mexico. Where Lawrence is diagnosed tubercular, and return to wander through Europe in search of a cure. Miles uses Lawrence's ambiguous sexual orientation as a vehicle for suspense. It is intensely depressing to watch lan McKellen and Janey Suzman frolic in bed with all the emotion and ingenuousness of a whoreand her john. It is even more discouraging to see McKellen swimmaked on his back in an English lake. Gratuitous nudity translates this unmanageable passion Miles seems so intent on portraying into a vulgar act with all the subtlety of a road-side...

Author: By Laura K. Jereski, | Title: Crying in the Night | 10/30/1981 | See Source »

...with his nervous gestures and his half-exhausted grandiosity (he tires before he can really come through). His gestures become more frantic, his reasoning more strident as he is the antithesis of Louis, who prides himself on his logic and dispassionate aloofness, and his slightly cynical humor. The two wander around the outline on the apartment floor, the play delves into the absurd and it is full of discordant, funny bits. All of this changes, however, when Randolph gives his theory of the cases--an increasingly bizarre trip through the reaches of what pilots call the envelope--a theory...

Author: By Thomas Hines, | Title: 'Jump, Jump' | 7/21/1981 | See Source »

...random images are Shepard's vocabulary and they are used to striking effect as vignette after vignette comes across--from Laureen a meditation on time and appearance, and one of the most haunting speeches Shepard has ever written (which is unfortunately undermined by the music.) Niles and Paulette wander through the music and madness, acting out a ritual exorcism of his personalities, Pable and Louis find themselves sucked further and further in. You can drive a truck twixt the shadow and the reality, Shepard seems to be saying, and it's not a question of going over the deep...

Author: By Thomas Hines, | Title: 'Jump, Jump' | 7/21/1981 | See Source »

...Dream Dances, set to eleven folk song adaptations by Italian Composer Luciano Berio, the dancers move explicitly to the rhythm of I Wonder As I Wander. But later, in Motettu de Tristura, the slow, sad music is a counterpoint to a dance of restless erotic energy...

Author: /time Magazine | Title: Dance: And Now, the Netherlanders | 7/20/1981 | See Source »

...around each performance, and those walking the block-long stretch moved slowly through, leaving one show and attaching themselves to the crowd at the next, walking from one sound into another. Many of the onlookers could have been anywhere--the well-dressed, well-groomed young men and women who wander around Quincy Market eating overpriced ice cream when they're not doing the same in the Square. Others were more Cantabrigian--t-shirts and cutoffs, mid-20s, long hair. And some, though not a lot, were hippies, for lack of a better term. Harvard Square...

Author: By William E. Mckibben, | Title: Between the Lines | 6/26/1981 | See Source »

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