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...confront complicated moral matters. While working on the book, Miller became interested in Dostoevsky's use of confessions, a genre she argues, he adopted from Rousseau. "There are two passages in Rousseau which Dostoevsky returns to over and over in parodies and other ways. For instance, Rousseau used to wander the streets at night, then stand under bridges and expose himself. In Dostoevsky, one of the symbols of confession is indecent exposure...

Author: By Wendy L. Wall, | Title: Where the Volga Meets the Charles | 3/13/1981 | See Source »

...becomes increasingly obvious that the Baltimore has turned into a flop house. (The missing "e" in the title shows not only how the neon sign has fared, but also hints at the new raison d'etre of the establishment.) Two or more stock hookers-with-hearts-of-gold wander in, complaining about the hot water and "business." They fare little better than Raiser, particularly Ann Diamond as April, who seems to have been given the role solely for her alarming shock of blond hair. Her arms flailing with almost every line, she demonstrates her remarkable unsuitability throughout, but particularly when...

Author: By Jeffrey R. Toobin, | Title: Heartbreak Hot 1 | 3/11/1981 | See Source »

Hundreds of thousands of peasants live in hovels made of packed mud: naked children with swollen bellies and open sores wander among the grunting pigs, garbage and flies...

Author: By Jamie Raskin, | Title: Financing El Salvador's Reign of Terror | 3/5/1981 | See Source »

...thread of Burgess's moral dilemma runs through all episodes and discussions in the book. He sometimes treats the issue overtly as when the intellectuals and churchmen who wander through Toomey's narrative subject the doctrine of free will and the homosexual's place in the kingdom of God to ponderous scrutiny. How can homosexuals and a conception of God coexist in harmony? This is the question the many homosexuals Toomey encounters--antagonists and lovers alike--are continually fretting over. And yet, Burgess's most absorbing and ponderous moral statements do not come from such often-babbling and never conclusive...

Author: By Siddhartha Mazumdar, | Title: God's in His Heaven | 2/24/1981 | See Source »

Students generally have notes on this kind of lecture which wander off the page or don't stay within the lines or go both ways on the same page. They look like zombies when they leave. And there's a reason for this. Professors, really, can't be any less abstruse. Most of them want or need to get a book out of their lecture notes, and that immediately means that the tone is going to be less than conversational. Those who don't are at least mildly interested in the abstract beauty of the whole thing, which means again...

Author: By Jeffrey Zax, | Title: Feeling Caught in the Middle | 2/5/1981 | See Source »

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