Word: wanders
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...author has set her novel specifically, almost immovable, in time and place. The Gowers live in Baltimore of the late '60s and '70s, and each chapter has a date for a title. While the externals of '70s life--Master Charge, the Brady Bunch, straight-leg jeans, and Tab--wander through the book, they do so like ships adrift without any place to anchor. In fact, these details act like red-herring clues to the insoluable detective story of Morgan's psyche. Morgan seems even more eternal in contrast to the petty details of time and space that he rises above...
...Americans gorge their food with "voracious rapidity"; they swill, guzzle, spit and pick their teeth with pocket knives. In Cincinnati, she related, cows are nonchalantly milked at the house door (a predecessor, no doubt, of the great American custom of home delivery), and pigs enjoy such citizenship that they wander at will, rooting in the street garbage and nuzzling pedestrians with their moist snouts. Americans seldom declined to provide a bounteous native rubery for the satirist to exercise his superciliousness upon: according to Henry Adams, Ulysses S. Grant once told a young woman in all seriousness that Venice would...
...lives in a '51 Pontiac in the garage. He objects to a mobile home on the grounds that it would be "too permanent." Their daughter is a nude, neurotic recluse, hidden in the recesses of the house, who only communicates, facially, via a television set. Scads of characters wander in and out of this quasi-Feydeau sweet-bitter farce...
...Shakespeare's meanings, to emerge restored and invigorated. Stage movement as much as language becomes a spade they use to unearth poetic ambiguities, in several mimes enacted to bits of Purcell's score: while a soprano sings a mournful aria, Stephen Rowe's Demetrius and Lisa Sloan's Helena wander about in a ghostly love-dance, with Helena reaching for and grasping Demetrius just as he turns away; after the night of illusion in the forest is over, and the lovers are rubbing the sleep and dreams from their eyes, they recap the confusions of their double-love-triangle...
...sextet of "rude mechanicals" who wander into the forest to rehearse their play intrudes on this inhuman enclave like visitors from another dimension. Their antics, delivered by the ART actors with gung-ho spirit and the precision of acrobats, form a haven of the familiar in Epstein's inhospitable forest; yet even they become possessed, reacting to Bottom's "translation" by careering across the stage in hops, sprints and tumbles while the musicians play one of Purcell's country dances. The sorcery of the wood finds little purchase on their "hempen homespun" minds, but gets at then anyway through their...