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Stand-In (Walter Wanger). "You wouldn't want a star to endure the heat of the lights while they set the cameras and microphones, would you? So they dig up a gal ... to stand in for the star while all this torture goes on. . . . When everything's set the star, cool and immaculate, puts her dainty little feet in the chalkmarks. The standin, worn and wilted, fades out of the picture...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 8, 1937 | 11/8/1937 | See Source »

Vogues of 1938 (Walter Wanger) can be chalked up as a minor Hollywood triumph on two counts: 1) it is the most enticing example of Technicolor yet produced; 2) it has apparently found a formula for transforming the fashion show from a boring newsreel short to a full-length revue that both men and women can sit through without squirming. Incidentally it not only glorifies the U. S. girl (its showgirls include such well-known models as Jaeckel's Betty Wyman, Lucky Strike's and Chesterfield's Ida Vollmar) and U. S. fashions but implies that...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 30, 1937 | 8/30/1937 | See Source »

...dressed for each other or for men, but for the camera, which makes more extravagant demands than either. Result is that many a smart cinemagoer is as likely as not to snigger at the West Coast's idea of haute couture. The greater credit, therefore, to producer Walter Wanger that in building a show on women's styles, he managed to make the styles sufficiently sound to be featured in a recent issue of Vogue magazine. Taking their cue from those unsung, expert, wholesale dress manufacturers of Manhattan's 7th Avenue who were asked last winter...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 30, 1937 | 8/30/1937 | See Source »

...Chaplin, Fairbanks and Pickford even when they made no pictures. Under the new terms, all will go to Producers Goldwyn & Korda but if any of the original members feels like making a picture, United Artists will distribute it. The deal does not affect producers like David Selznick and Walter Wanger who distribute through United Artists but are not partners. It gives Producer Goldwyn in Hollywood and Producer Korda in London a better chance to profit from their own enterprises. It also gives Producer Korda, who has been dissatisfied with U. S. exhibitors' handling of his pictures, a better chance...

Author: /time Magazine | Title: Cinema: United Artists Revised | 6/7/1937 | See Source »

United Artists' liveliest members are David Selznick, Walter Wanger and Sam Goldwyn in Hollywood, Alexander Korda in London. In New York last week for conferences were Producers Selznick and Korda, and Producer Selznick's chief backer, John Hay ("Jock") Whitney. Chief problem before Selznick International was still: who will play Rhett Butler and Scarlett O'Hara in Gone With The Wind? Last week Producer Selznick failed to substantiate a rumor that Rhett had been assigned to an obscure American actor discovered in British cinema named Ken Duncan. Backer Whitney's wife, Philadelphia's sprightly onetime...

Author: /time Magazine | Title: Cinema: Plots & Plans | 5/24/1937 | See Source »

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