Word: wanna
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Dates: during 1970-1979
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...bags, digging though piles of rubble for muddy garments of the proper size. One 11-year-old carrying a radio with an inch of light-brown clay on it told a younger friend, "Just take somethin' and come on, will you?" Despite his friend's "No, I don't wanna," he continued sifting through the muddy heap of department store goods...
...ineffective pastiche of the worst elements of Bo Diddley. It's the worst cut the Stones have done in quite some time and is followed by "Ventilator Blues," which is not a whole lot better and bears an uncomfortable resemblance to "Come Together." "Just Wanna See His Face" is an exceedingly weird quasi-spiritual and one of the most distinctive and memorable cuts on the album. The side closes with "Let It Loose," the kind of hard rock ballad (sort of like "You Can't Always Get What You Want") that only the Stones can do really well; Nicky Hopkins...
...same. It was tighter, more solid, like the music he's made since the album Astral Weeks. At one point during his performance of "Cypress Avenue," the strongest song on that album and the one closest to his work on Blowin' Your Mind, he said, "I don't wanna tell you about all of that Belfast pain and suffering." With that statement he summed up his music after Moondance: a more joyous, tighter, harder rock music, like his early music, but much more secure lyrically. There have been two solid albums since Moondance, His Band and the Street Choir...
Archie: Edith, you gotta stop readin' what them two bleeding hearts bring home! I'm tellin' ya-you wanna get into sports or entertainment, it's easier bein' black. That...
Later, when Chris spots America, a West Indian maiden who could be Geraldine's twin is waiting for him, her hand on her hip and "Watch out" in her eyes. "What the hell you want comin' round in them ships?" she asks. "We don't wanna be discovered. You better discover your ass away from here...