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...alone, instead of with her bassist. As it was she managed to give open support to a lot of her musical friends, who she introduced one by one through her set. Bonnie's music is summed up by a Sippie Wallace tune called "You Can Make Me Do Whatcha Wanna Do, But Ya Gotta Know How." It was her best effort for a crowd that was either still entering, or just beginning to get comfortable and in any case, certainly wasn't listening to her. John Payne's soprano took the song right back to the thirties and Bonnie Smith...

Author: NO WRITER ATTRIBUTED | Title: Blues in the Night | 8/4/1972 | See Source »

...bags, digging though piles of rubble for muddy garments of the proper size. One 11-year-old carrying a radio with an inch of light-brown clay on it told a younger friend, "Just take somethin' and come on, will you?" Despite his friend's "No, I don't wanna," he continued sifting through the muddy heap of department store goods...

Author: By Steven Reed and Elizabeth Samuels, S | Title: Agnes Hit Wilkes-Barre Like a Flock of F-111's | 7/7/1972 | See Source »

...ineffective pastiche of the worst elements of Bo Diddley. It's the worst cut the Stones have done in quite some time and is followed by "Ventilator Blues," which is not a whole lot better and bears an uncomfortable resemblance to "Come Together." "Just Wanna See His Face" is an exceedingly weird quasi-spiritual and one of the most distinctive and memorable cuts on the album. The side closes with "Let It Loose," the kind of hard rock ballad (sort of like "You Can't Always Get What You Want") that only the Stones can do really well; Nicky Hopkins...

Author: By Andy Klein, | Title: If Mick Jagger's An Exile on Main St. .......Then I'm an Okie from Muskogee | 6/5/1972 | See Source »

...same. It was tighter, more solid, like the music he's made since the album Astral Weeks. At one point during his performance of "Cypress Avenue," the strongest song on that album and the one closest to his work on Blowin' Your Mind, he said, "I don't wanna tell you about all of that Belfast pain and suffering." With that statement he summed up his music after Moondance: a more joyous, tighter, harder rock music, like his early music, but much more secure lyrically. There have been two solid albums since Moondance, His Band and the Street Choir...

Author: By Freddy Boyd, | Title: One More Moondance With Van | 5/26/1972 | See Source »

Archie: Edith, you gotta stop readin' what them two bleeding hearts bring home! I'm tellin' ya-you wanna get into sports or entertainment, it's easier bein' black. That...

Author: /time Magazine | Title: Television: Archie Bunker Looks at Flip | 1/31/1972 | See Source »

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