Search Details

Word: want (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...look that old, does he?" Then they were off in a motorcade of golf carts. As the party split, with Nixon and Johnson heading for the executive-office complex and the rest turning off to the presidential villa, Nixon called to Luci: "You can use the pool if you want. And my surfboard. I never use that...

Author: /time Magazine | Title: Nation: THE POLITICS OF RECONCILIATION | 9/5/1969 | See Source »

...composer Morton Subotnick, "is that it requires a social and theatrical esthetic that really has nothing to do with our music." Germany's Karlheinz Stockhausen, who today works primarily in the electronic idiom, agrees: "I make everything for stereo records. The record is the document of how I want my music to sound...

Author: /time Magazine | Title: The Lp: Shaping Things to Come | 8/29/1969 | See Source »

...lucrative ticket market with much the same type of operation. Participating entertainment enterprises like theaters and sports arenas are linked by sales outlets in such spots as railroad stations, travel agencies, department stores and even supermarkets. At most of those locations, buyers tell a sales clerk what event they want to see and when. By pushing buttons on a console, the clerk queries a regional computer's "memory bank" and gets an instant reading on what seats are available. Customers then can have their tickets printed electronically on the spot. The T.R.S. Ticketron system charges a flat rate...

Author: /time Magazine | Title: Computers: Instant Ticketing | 8/29/1969 | See Source »

...forever dead. In the film's shattering last scene, Alice stands alone on the church steps, her bridal veil blowing in the winter wind as Arlo's voice is heard on the sound track quietly singing the song's refrain: "You can get anything you want /At Alice's Restaurant / 'Ceptin Alice...

Author: /time Magazine | Title: Cinema: End of the Road | 8/29/1969 | See Source »

...want a continuity of beautiful pictures and beautiful movement," insisted Photographer Gordon Parks about his first feature film, The Learning Tree. "I try to start each scene with a beautiful still photo and end each scene with a beautiful still photo." Indeed, there are many images of startling beauty in Parks' film, like the dappled summer light shining through the trees on a country lane. The Learning Tree's major problem is not with pictures but with people...

Author: /time Magazine | Title: Cinema: Where Black Is Too Beautiful | 8/29/1969 | See Source »

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