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...this track is marked by a heavier bass line and more reverb. Much like the rest of the album, however, the lyrics still leave a little to be desired—“You’re all talk and nothing to say / We don’t want, don’t want what you’re giving away” runs the much repeated and emotionally-empty refrain. The attempt at alteration is at least admirable, however, given the rather repetitive nature of the rest of the album, however...

Author: By Chris A. Henderson, CONTRIBUTING WRITER | Title: Lifehouse | 3/2/2010 | See Source »

...thing I learned is he constantly makes plays for the team, he’s constantly finding open men” Curry explained. “Just being able to play with him every day and seeing the intensity and the enthusiasm he brings just makes you want to work hard...

Author: By Scott A. Sherman, CONTRIBUTING WRITER | Title: Curry On Fire And On Target | 3/2/2010 | See Source »

...most coachable guys I’ve ever worked with,” Paton says. “I’d say ‘lets try this drill,’ and he’d pick it up instantly and just want to keep doing it until he could do it perfectly...

Author: By Evan J. Zepfel, CONTRIBUTING WRITER | Title: West Pumped Up For Tournament | 3/2/2010 | See Source »

...whole family is a big power struggle, people using each other to get what they want and not really noticing the needs of everyone else,” producer Ryan J. Smillie ’12 says...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Five Finger Exercise | 3/2/2010 | See Source »

...design from the original script, presenting the play on a tiered set to emphasize the familial divisions that define the show’s central conflict. The audience will be seated on three sides of the stage, creating a more intimate setting. “I really want it to feel very immediate to people because these are very immediate and personal issues,” Feldman says...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Five Finger Exercise | 3/2/2010 | See Source »

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