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Word: wanteds (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...will have a tax program, rely on it. It will be next. It will fill the gap," Keverian said. "Anyone who understands state government and doesn't support it doesn't want a balanced budget...

Author: NO WRITER ATTRIBUTED | Title: House Passes State Deficit Bill | 11/20/1989 | See Source »

...involved. Although this is a compromise all students must make every term, it is certainly not an inclination professors should encourage. If faced with a choice between taking a more demanding courseload while dual submitting one paper and taking a bunch of guts, I think that most professors would want students to choose the former...

Author: By Daniel M. Cogan, | Title: Is Honesty the Best Policy? | 11/20/1989 | See Source »

...guys over"). The building is certainly the best work of his career, an intense, almost out-of-control collage of materials and forms. "There's no question that this is my most completely realized building," he says. "In a sense it's my first building." He still would not want to live in any of the houses he's designed (his home is an 18th century cottage in Princeton, N.J.), but the new building in Columbus is another matter. "I'd love to work in Wexner," Eisenman says...

Author: /time Magazine | Title: Design: A Crazy Building in Columbus: Peter Eisenman | 11/20/1989 | See Source »

...hyperintellectualizing bad boy to prove himself on: it was conceived by the university as both a museum and a seedbed for avant-garde art, from Anselm Kiefer paintings to Pina Bausch performances to a new video installation that displays images from the building's surveillance cameras. Did the university want a fin-de-siecle monument to erudite monomania, inspired nervousness, the intriguing lunatic gesture? Eisenman was the man for the job. "I get weepy that O.S.U. took this risk," he says. "It wasn't Harvard or Yale or Princeton. It's a great thing about America that people in Columbus...

Author: /time Magazine | Title: Design: A Crazy Building in Columbus: Peter Eisenman | 11/20/1989 | See Source »

...head. Because the dense, dense eclecticism of material and form prevents the place from seeming too slick and self-serious. And - because Eisenman remains rather perverse. The four painting and sculpture galleries, for instance, amorphous and oddly shaped, could tend to confound picture hanging. "I don't want to say they're not problematic," admits Robert Stearns, the Wexner Center's very game director...

Author: /time Magazine | Title: Design: A Crazy Building in Columbus: Peter Eisenman | 11/20/1989 | See Source »

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