Word: war
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...Hanks first comprehended just how immense his own deficit in Pacific-theater history was while making Saving Private Ryan. Around that time, novelist Nora Ephron (who wrote the screenplay for Sleepless in Seattle, which starred Hanks) sent him the two-volume, 1,882-page Library of America Reporting World War II: American Journalism (1938 to 1946) as a gift. Hanks grew intensely interested in all things related to the Pacific campaign - not necessarily the big names like Tojo or Ernest King, but the 3rd Marine Division, which was ambushed by snipers at Guam, or the intricacies of Operation Detachment...
...war movies of all time...
...Island-Hopping in the Pacific At school, all Hanks remembers learning about World War II was that Pearl Harbor was bombed by the Japanese on December 7, 1941, and that the American revenge came on August 6, 1945, when Army pilot Paul Tibbets dropped an atomic bomb from the Enola Gay on Hiroshima. For Hanks, the U.S. armed forces' island-hopping - Peleliu, Iwo Jima and Okinawa, among other bloody military engagements - was just a blur on a map that seemed impossibly exotic and faraway. "Strange to think that I've become the World War II guy," Hanks laughs...
...Public education was an integral component of Hanks' vision. "We wanted to explain the arc of the Pacific war, the motivation within from the strategic perspective," he says. "So we start with the vast Pacific Ocean from Hawaii, and you just keep going farther and farther west. You get a dramatic sense of what it must have been like to be on one of those battleships. I used to wonder why in hell little Peleliu was in any way, shape or form so damn important. But then when you see how close Okinawa is, well, you immediately understand. Peleliu...
...Much of the miniseries is based on two evocative World War II memoirs, Eugene Sledge's With the Old Breed and Robert Leckie's Helmet for My Pillow, but the imaginative energy comes straight from novels like Norman Mailer's The Naked and the Dead and James Jones' The Thin Red Line. The result is like Herman Wouk's The Winds of War (both the novel and the made-for-TV movie) on steroids. Hanks and fellow executive producers Spielberg and Gary Goetzman are wrestling with age-old - and current - questions about the barbarity of war: How can Americans...