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...DELAPPEContributing writerAndy Warhol was a dangerous combination of magnetism, fame, and power. His strong persona, coupled with his mechanical, industrialized production of art, made it easy for individuals involved in Warhol??s studio-cum-entourage—the Factory—to slip through the cracks. In her debut documentary, Esther Robinson explores the involvement and the mysterious disappearance of her uncle, Danny Williams ’61. “A Walk into the Sea: Danny Williams and the Warhol Factory,” shown this past weekend at the Institute of Contemporary Art (ICA) with commentary...

Author: NO WRITER ATTRIBUTED | Title: The Man Inside Warhol's Factory | 10/3/2008 | See Source »

...Schoolhouse Rock!” also makes it onto the set, and somehow manages to be one of the band’s best performances. “Sensitive Euro Man,” a track from the best-left-forgotten “I Shot Andy Warhol?? soundtrack, has a stunning bass dénouement.But any self-respecting Pave-aficionado will already have all those cuts, and the First Law of “Wowee Zowee”-era B-Sides states that, for every “Give it a Day,” there?...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: CD OF THE WEEK: Pavement | 11/8/2006 | See Source »

Questioners grilled her on everything from the influence of Andy Warhol??s Eastern European ancestry on his art to the greater purpose of her studies...

Author: By Samuel P. Jacobs, CONTRIBUTING WRITER | Title: Schuker Wins Marshall Scholarship | 11/30/2005 | See Source »

...friends with Andy Warhol...[He] was a voyeur,” says Hallowell, who played himself in Warhol??s 1972 film, “Heat...

Author: By Samuel C. Scott, CRIMSON STAFF WRITER | Title: SCENE & HEARD: The Breakfast Club: A.M. at ABP | 11/9/2005 | See Source »

...process of print is overtly the subject of many of these printed works of art. The self-reflexivity of the media as mechanical, as reproducible, speaks to the subject matter that can be inscribed by it, as we see in Warhol??s “JFK Close Up in black” from his 1968 portfolio, FLASH. Here the subject is reflection upon the pixilation of the image itself, in all its power and ubiquity, the dot matrix print of a last televised smile is blown up to a size which sets it in a new focus?...

Author: By Ross N. Halbert, CONTRIBUTING WRITER | Title: Poetry at a Standstill in Prints Exhibit at the Fogg | 10/15/2004 | See Source »

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