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Word: warhol (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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London's Tate Modern expects huge crowds for "Warhol," which opened early this month and runs until April 1. "There's something about his work that's so contemporary," says curator Donna De Salvo. Since Warhol, no one can be naive about the way the media shape our view of the world. This wasn't his stated aim - he didn't have one. His manifesto was to have no manifesto. In his words: "If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. There...

Author: /time Magazine | Title: Prince of Pop | 2/18/2002 | See Source »

From 1960 Warhol made paintings by enlarging the drawings found in small ads for water heaters, TVs - or, in Before and After (1961), nose reshaping. The canvas shows how American society is caught between innovation and conformity, says De Salvo: "You see one nose and then you see this very refined, curt nose that has a kind of anonymous quality. He uses one image as a metaphor for an entire culture." Warhol had his own conk altered a few years earlier on his journey from a Czechoslovak immigrant background in Pittsburgh to fashionable circles in New York...

Author: /time Magazine | Title: Prince of Pop | 2/18/2002 | See Source »

...moved on to multiple images of Coke bottles, green trading stamps, Campbell's soup cans and human beings. Thirty Are Better Than One (1963) presents 30 - count 'em - stacked Mona Lisas. In the same room are multiples of Monroe, Elvis Presley, the Statue of Liberty and Elizabeth Taylor. Warhol first painted Monroe after her suicide in August 1962. Instead of a recent photograph, he used a film still from nearly 10 years before. The flat silk-screen technique crookedly applies green eyeshadow and scarlet lipstick, like a magazine illustration of this season's makeup trends. Warhol's paintings "have...

Author: /time Magazine | Title: Prince of Pop | 2/18/2002 | See Source »

...pensive gaze of Liz Taylor, Monroe's heavy-lidded glance and the Mona Lisa's enigmatic leer recall the direct eye contact of the Catholic icons of Christ, the Madonna and saints that Warhol grew up with. Catholic imagery is also full of death and grisly executions, subjects that possessed Warhol during the '60s. Darkness hangs over Room 9 (Disasters) as the mushroom cloud of Atomic Bomb (1963) hung over the decade. In images adapted from anonymous news photos, rioters are attacked by police dogs. Women die in car wrecks or from poisoned tuna fish. The broken body...

Author: /time Magazine | Title: Prince of Pop | 2/18/2002 | See Source »

...Warhol used income from celebrity portraits to fund experiments, including huge abstracts. They consist of scaled-up camouflage material or giant Rorschach blots: patterns intended to confuse the eye or to suggest things that aren't there. Smaller, darker paintings from the same period sprinkled with real diamond dust record shadows falling across his studio...

Author: /time Magazine | Title: Prince of Pop | 2/18/2002 | See Source »

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