Word: warhol
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Dates: during 2000-2009
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During the 1960s," Andy Warhol once said, "I think people forgot what emotions were supposed to be, and I don't think they've ever remembered." Warhol's words are belied by the strong sensations - humor, outrage, nostalgia - that reverberate through "Les Années Pop," the landmark exhibit that opened March 15 at Paris' Centre Pompidou. For if it can often be difficult to seize the meaning behind a given piece of Pop (short for popular) Art, this show's great strength is to put 500 works of art, architecture, fashion, design and film into the context...
...comedy is never far from tragedy: Bruce Conner's short film clips intersperse hilarious scenes of people falling off bicycles with newsreels of the airship Hindenburg burning and stacked bodies in a concentration camp. And tragedy, of course, emanates from Warhol's multiple images of Marilyn Monroe that are so emblematic of the Pop genre. Warhol incorporated tragedy more explicitly using the repeated, silk-screened image of a fatal auto accident in his Orange Car Crash, as if death, too, were a mass-produced consumer good...
...much an art exhibition as what in the '60s was called a happening. The sheer three-dimensionality of it - Christo's plastic-wrapped bicycle, César's compressed automobiles, Claes Oldenburg's Store with its huge floppy pie and ice-cream cone, the aluminum-foil recreation of Andy Warhol's Factory - signals that this is a show to be experienced rather than just observed. Similarly, the inclusion of consumer products - from Yves Saint Laurent's Mondrian dress to plastic radio bracelets and Star Trek-like chairs - turns the exhibit into an exercise in pop-cultural archaeology, akin to opening...
...this guy cool, or what? A hotter approach to filmmaking comes from John Herzfeld, writer-director of 15 Minutes, which takes its title from Andy Warhol's famous formulation about fame in the age of television. Like Minahan, Herzfeld has worked at TV's scuzzier levels (he once made a docudrama about Joey Buttafuoco), and his project was passed around even longer (eight years) before getting a green light. But unlike Minahan, who finds celebrity and greed "not very interesting," he's "fascinated by our culture's most volatile obsessions--celebrity, violence and wealth." His brutal but very well-made...
...from Charles Schulz at a critical moment in my development changed forever the course of my life. He influenced two generations of comic strip artists, standup comedians and readers everywhere. But unlike other seminal figures of American mass culture in the 1960s and '70s - Marshall McLuhan, Buckminster Fuller, Andy Warhol - Schulz had no itch to be a teacher, a guru, a manufacturer of lesser artists. "I don't know the meaning of life," he once said. "I don't know why we are here. I think life is full of anxieties and fears and tears...