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Bafaloukos also has a terrific sense of humor that pops up most often when his camera captures the white tourists to Kingston. One idiotically chic couple (he wears an Andy Warhol Interview T-shirt) lock the keys in their car and have to hire a Rasta locksmith. But the clincher comes earlier, at a club restaurant where Horsemouth's band plays fast-paced reggae. A bewildered blond tourist turns to his young bride and exclaims, "This isn't calypso...

Author: By David Frankel, | Title: Soothing the Savage Beast | 7/25/1980 | See Source »

...Burroughs, writer, gun enthusiast and wearer of polyester blazers, remarkably well-preserved for his 67 often dissipated years, got up and walked past his writer's desk and two Ouija boards, through the furniture store over which he lives, past the Salvation Army mission, to have dinner with Andy Warhol...

Author: By Paul A. Attanasio, | Title: William Burroughs | 2/1/1980 | See Source »

...hindsight, the glories of kings are apt to depend on the available talent. All the last Shah of Iran could rake up by way of a court artist was Andy Warhol. Four hundred years before, his predecessors were more fortunate. The first three-quarters of the 16th century in the courts of Persia formed one of the supreme periods in the history of art: a Middle Eastern equivalent, perhaps, of Florence between 1450 and 1500, or 16th century Venice, or Paris between 1880 and 1930. It was mainly in Tabriz, the capital of the Safavid dynasty, under the patronage...

Author: /time Magazine | Title: Art: The Gardens of the Princes | 1/28/1980 | See Source »

...paint to the canvas and that the image is loaded but one that everybody recognizes--an image that's readily accessible but painted in a way that's very personal and very subjective. This contrasts with the '60s where one of the most famous recognizable images was Andy Warhol's Campbell Soup Cans--a cold, commercial and very impersonal image...

Author: By Diane Headley, | Title: From Pop to Populism | 1/7/1980 | See Source »

...cultural irrelevance. This fall has brought two exhibitions by American artists that underline the demise by recalling portraiture's vanished glories and suggesting its dubious status today. One is a retrospective of John Singer Sargent at the Detroit Institute of Arts. The other is a review of Andy Warhol's portraits, which opened last week at the Whitney Museum in New York City...

Author: /time Magazine | Title: Art: Mirror, Mirror on the Wall | 12/3/1979 | See Source »

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