Word: warholism
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...paper-and I know I was not alone in this sort of activity. Image altering is a device known not only to children; a number of artists have taken up this practice as well. Painter and draftsman Kathleen Gilje, a Brooklyn native, follows in the tradition of Duchamp and Warhol, among others. Gilje's new show, The Ingres Drawings: Restored, is a series of pencil portraits copied from the drawings of Jean-Auguste-Dominique Ingres, the neoclassical French artist. The copied drawings are quite convincing: trained as a restorer, Gilje works exactly to scale, using materials as much like those...
...Gilje's term, "restored." Instead of adding moustaches to these 19th century French figures, Gilje inserts contemporary references into the images. One man wears a black leather harness under his period jacket. A woman in an Empire dress and plumed hat displays her nipple rings and Warhol himself appears in a triple portrait. The question is, are Gilje's drawings anything more than amusing...
...More" series, scenes staged for the camera, where bored babes get very fed up with Nowheresville, Australia. At the High's satellite galleries at the Georgia-Pacific Center, where there's a separate show devoted to Elton's celebrity portraits, you see it once more in the shot Andy Warhol took of himself in drag, a Halloween-in-Greenwich Village version of Joan Crawford. Actually, he looks pretty good...
...know that Warhol and Klein influenced you in the '60s; are there any people now who you find do particularly intriguing or interesting work...
...over by a synthetic, processed sound. And, believe me, this is pop with two capital Ps, and a capital O thrown in for good measure. In Blue is to music what Last Action Hero was to cinema: the apotheosis of a certain kind of mindless cookie-cutter workmanship, like Warhol without the ironic distance. The only track on the album that doesn't just shriek with brain-bursting insignificance is the instrumental last track, "Rebel Heart." The fiddle from previous Corr albums is back, albeit surrounded by the same MIDI-file accompaniment that infests the rest of this God-forsaken...