Word: warholism
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American actors and baseball players had been this famous before and would be more so; Ernest Hemingway was, but no painter was or would be again--not even Andy Warhol. Eager to curate his own reputation, Pollock let photographers in and performed for them. Hans Namuth, Rudy Burckhardt and Arnold Newman saw a drama in Pollock's mating dance around the canvas on the floor that normally isn't present in a painter's address to his work. It was solipsistic and histrionic at the same time--broody like Brando, vulnerable like James Dean. Pollock's fate was pure stardom...
...interest in Vegas," says Wynn, CEO of Mirage Resorts, Inc., and the son of a gambler who came to Las Vegas in the 1960s. The biggest stimulus at the Bellagio, of course, is Wynn's $300 million collection of works by, among others, Miro, Picasso, Matisse, Leger, Modigliani, Lichtenstein, Warhol, Pollock, de Kooning and Jasper Johns, and sculptures by Giacometti and Brancusi...
...about them. In fact, Basquiat's father's discovery of his son's bisexuality was likely one of the primary reasons Basquiat left home as a young teenager, which lead to his introduction to the underground grafitti culture of the early 1980s. And, where Schnabel's film depicts Andy Warhol as Basquiat's primary connection to the whorl of fame and fortune, Hoban tells us that Basquiat worked early in his career with Keith Haring, and briefly dated Madonna. Warhol does not appear as a major figure in the biography until page 200 or so. In addition, Hoban makes...
...show started a half-hour late and the crowd waited patiently. Slouching in comfortable couches or standing around smoking cigarettes, the audience could easily be separated into Cale and Siouxsie fans based on appearance alone. The bearded middle-aged crowd, interspersed with people wearing shirts featuring Warhol's banana illustration from the classic Velvet Underground album, were clear examples of the former. Teens dressed in black and sporting piercings through brows, eyes and necks were the most obvious examples of the latter. The older audience had come to see Cale; the punks and the goths came for Siouxsie...
...wearing a different dress. There are about a hundred of these changes in the course of the 12 minutes the film lasts, and every outfit is as banal as the last. It's meant (one presumes) to satirize the cultural pretensions of the upper reaches of the rag trade: Warhol with the glamour taken out. It makes for a very long 12 minutes...