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...paper-and I know I was not alone in this sort of activity. Image altering is a device known not only to children; a number of artists have taken up this practice as well. Painter and draftsman Kathleen Gilje, a Brooklyn native, follows in the tradition of Duchamp and Warhol, among others. Gilje's new show, The Ingres Drawings: Restored, is a series of pencil portraits copied from the drawings of Jean-Auguste-Dominique Ingres, the neoclassical French artist. The copied drawings are quite convincing: trained as a restorer, Gilje works exactly to scale, using materials as much like those...

Author: By Lisa Foti-straus, CONTRIBUTING WRITER | Title: Kathleen Gilje: The Ingres Drawings: Restored | 11/9/2000 | See Source »

...Gilje's term, "restored." Instead of adding moustaches to these 19th century French figures, Gilje inserts contemporary references into the images. One man wears a black leather harness under his period jacket. A woman in an Empire dress and plumed hat displays her nipple rings and Warhol himself appears in a triple portrait. The question is, are Gilje's drawings anything more than amusing...

Author: By Lisa Foti-straus, CONTRIBUTING WRITER | Title: Kathleen Gilje: The Ingres Drawings: Restored | 11/9/2000 | See Source »

...More" series, scenes staged for the camera, where bored babes get very fed up with Nowheresville, Australia. At the High's satellite galleries at the Georgia-Pacific Center, where there's a separate show devoted to Elton's celebrity portraits, you see it once more in the shot Andy Warhol took of himself in drag, a Halloween-in-Greenwich Village version of Joan Crawford. Actually, he looks pretty good...

Author: /time Magazine | Title: Pictures From an Exhibitionist | 11/1/2000 | See Source »

...know that Warhol and Klein influenced you in the '60s; are there any people now who you find do particularly intriguing or interesting work...

Author: By Jennifer Gordon and Jeni Tu, CRIMSON STAFF WRITERS | Title: Tokyo Eye, Part II | 10/20/2000 | See Source »

...over by a synthetic, processed sound. And, believe me, this is pop with two capital Ps, and a capital O thrown in for good measure. In Blue is to music what Last Action Hero was to cinema: the apotheosis of a certain kind of mindless cookie-cutter workmanship, like Warhol without the ironic distance. The only track on the album that doesn't just shriek with brain-bursting insignificance is the instrumental last track, "Rebel Heart." The fiddle from previous Corr albums is back, albeit surrounded by the same MIDI-file accompaniment that infests the rest of this God-forsaken...

Author: By Arts Staff, CRIMSON STAFF WRITER | Title: New Albums | 10/13/2000 | See Source »

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