Word: warhols
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Taking Andy Warhol as his most frequent target, Gaxiola launches pot shots, often witty ones, just as often literal, paint-ball ones, at the money grubbing art world. The commodification of art sickens and provokes Gaxiola, who rebutts Warhol's statement, "Business art is a much better thing to be making than art," with the ardent, "Art is a religion, not a business." More stunningly, the Maestro does not sell his paintings, preferring the freedom to do what he wants when he wants to the lure of the greenback...
...late great Andy Warhol once said, "In the future, everyone will be famous for fifteen minutes." But within that short space of time, so much can happen. What arrives with an air of mystery soon becomes the talk of the town, only to descend into overkill in a matter of minutes. Here we have elucidated the trajectory of fame for a few of the people and things we have been hearing about lately. Yet even as we type, the moments tick away. Ah, the flash in the proverbial...
Fifty years before Andy Warhol highlighted Marilyn Monroe's features and repeatedly printed her face, the northern German artist Emile Nolde accentuated a woman's hair, lips and eyebrows in color lithographs to produce a very different effect. Nolde's prints of a "Young Danish Woman" (1913) appear aged, as the Shroud of Turin. Like most of the works in the dazzling show Emile Nolde: The Painter's Prints and its satisfying counterpart Nolde Watercolors in America, the woman is a delicate relic rather than amass-market commodity. By changing his colors Nolde creates different women and reveals their different...
...four lithographs in the series, the most iconic "Young Danish Woman" has gold skin and copper hair. Her head and ravishingly long neck float against the shadowy depths of a black background. Beneath her neck, a small rectangle suggests her shirt collar. Her face is sensuously smudged, unlike Warhol's perfect "Marilyn." Lushly foliated, she is as static as a figure on an ancient Egyptian coffin...
...nights since, but perhaps no group more than the film makers. Kenneth Branagh's new film, "Mary Shelley's Frankenstein", is yet another rebirth of the monster that has tested the pulse of our fears in versions ranging from animated cartoons to an X-rated Andy Warhol film...