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Occasionally, however, an exhibition comes along that gets the visitor to think about what they see. Recently, the Museum of Fine Arts mounted a show entitled "Beuys and Warhol: The Artist as Shaman and Star," which did exactly that. This exhibition, which examined the work of American pop artist Andy Warhol (1928-1987) and German artist Josef Beuys (1921-1986), should be remembered as one of those rare shows that triggers an intense viewer response...

Author: By Alexandra K. Schwartz, | Title: Pop Culture On the Wall | 4/2/1992 | See Source »

According an article in Art New England's February/March issue, the Beuys and Warhol show is part of a recent trend to make art exhibitions more than mere retrospectives on an artist's or group of artists' work. As Art New England writer Patricia Hills puts it, "[museum] curators have become more assertive and have elected to mount theme shows in which they can advance their own ideas about art and culture...

Author: By Alexandra K. Schwartz, | Title: Pop Culture On the Wall | 4/2/1992 | See Source »

Since modern art helped form Glimcher's famous taste, he can be expected to daub some of it on his screen. A poignant scene of Cesar and Nestor in a Times Square photo booth was influenced by Andy Warhol; it replicates a visit Glimcher and his family made to have their snaps taken for a Warhol portrait. Close watchers of The Mambo Kings will also discern the phantom signatures of a few revered auteurs. "I like Bob Fosse's films very much," Glimcher says. "So the strip joint in my film and the close-up of a decrepit stripper...

Author: /time Magazine | Title: Arne Glimcher, Ole! | 3/9/1992 | See Source »

Beuys and Warhol: the Artist as Shaman and Star--Through March 8. Museum of Fine Arts...

Author: NO WRITER ATTRIBUTED | Title: Everywhere But Harvard | 3/5/1992 | See Source »

Beuys and Warhol: The Artist as Shaman and Star--Through March 8. Museum of Fine Arts...

Author: NO WRITER ATTRIBUTED | Title: Everywhere But Harvard | 2/27/1992 | See Source »

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